CC BY
0ANALYSIS OF CHINESE MUSIC BICULTURAL PHENOMENON
Song Xuejie
Ph.D. student
National Skaorod Normal University in Ukraine lecturer at the Music School of Qilu Normal University
Abstract
In the past 100 years, China's music development has been in a period of cultural transformation and social transformation. During this period, social changes and cultural transformation and development have injected new vitality and vitality into the development of China's music culture. Social change and the diversified development of culture, the exchanges between countries have shown a more close development trend. Western music belongs to an important part of Western civilization. Compared with traditional music history, it shows a very different historical phenomenon, affecting Chinese music. Development, this phenomenon is called a bicultural phenomenon. Based on this background, this paper analyzes the phenomenon of Chinese music double culture, the active choice in the bicultural phenomenon and the necessity of the national music culture tradition. In the process of inheriting and developing the national music, we should effectively innovate the national music. By exploring the phenomenon of Chinese music dual culture, it aims to further promote the sustainable inheritance and development of Chinese music culture, and make Chinese music shine on the world stage.
Keywords: Chinese music, bicultural phenomenon, inheritance
Introduction
In the 21st century, China's economic level has been continuously improved, its comprehensive national strength has been continuously enhanced, and the exchanges between Mandarin and Chinese countries have gradually become closer. During this period, Chinese music has been influenced by Western music culture to reflect the characteristics of diversified development, because music culture phenomenon is constantly in the cultural soil of our country. The development and evolution of traditional music culture has also been innovated, so Chinese music presents a bicultural phenomenon. Under the influence of Western music, the new music that is gradually innovated and developed in China due to traditional music reflects the multi-cultural characteristics, that is, it contains the traditional Chinese music culture theory and the western music culture concept, so in the new era, we must effectively inherit the traditional Chinese music. Cultural connotation must correctly understand the phenomenon of Chinese music culture, understand music behavior and specific technical concepts, etc., in order to continuously promote the development and innovation of new music. The phenomenon of Chinese music bi-culture is good or bad. We can hardly explore it. However, the coexistence of two cultures can reflect the unique cultural connotation of China. Therefore, in the context of the blending of world cultures, Chinese music should be reflected in a new attitude. Unique cultural phenomenon.
First, the bicultural phenomenon in the inheritance of Chinese music
The problem of bicultural phenomenon in the development of music in China in the past 100 years, due to unclear debate, also reflects the seriousness and complexity of the bicultural issue. Because the academic community does not clarify the specific concept of bi-culturalism, it also lacks the concept of bicultural theory in the music industry. The controversy, especially the lack of a calm rational spirit, is likely to produce cognitive conflicts with emotional color. In the analysis of the relationship between Chinese and Western music
in China in recent years, we can find that after discussing the introduction of Western music into China in the 21st century, whether or not it understands the cultural meaning and the different aspects of culture, music culture has become a scholarly description. A word that is frequently used and has a certain fashionable style. We must correctly understand the integrity and specific connotation of the dual culture, but this issue deserves our in-depth discussion. Especially in the solution of the relationship between Chinese and Western music relations, we must correctly understand the influence of Chinese and Western music on Chinese music. Partially wrong cognition will change the development track of Chinese traditional music culture, and analyze the form of Western music in this form, which exists in the current Chinese music culture pattern, and what are the consequences? Whether there is a bicultural phenomenon and exploring what is included in the bicultural connotation of music, and the theoretical problems that are extended, these views are not consistent.
Analysis of the development of music in China, we can see the cultural phenomenon of Chinese traditional music inheritance, and achieved certain results in the process of continuous development, but because Chinese music is in a period of profound development of cultural transformation and social change, in this process The innovative development and transformation of China's society has injected new vitality and vitality into the development of Chinese traditional culture. However, in the process of social reform and cultural development, Chinese people's cultural choice makes Western music become an integral part of Chinese music, Western music. Some of the cultural elements are also integrated into the transformation of the development of music culture in China. In this process, Chinese music culture is undergoing transformation and development, and it reflects a development scene that is quite different from the history of traditional music. It also seriously affects the cultural phenomenon of Chinese music development. Due to the injection of bi-cultural phenomenon, new vitality has been injected into the development of music in China, such as the
vigorous development of piano music. Although the development of piano music is gratifying, it also exposes various problems. It can be seen that we must It is necessary to correctly understand the connotation of Chinese traditional music culture and correctly understand the differences between Chinese and Western music cultures in a bicultural context. However, according to the current Chinese and Western music issues, we have not seen specific opinions denying the phenomenon of music biculturalism. Because the music works written by the Chinese people contain the unique cultural attributes of China, they also imply a bicultural phenomenon in the music works, but the music works are not the direct basis for the musicians to judge the cultural value attributes. The main reason for the cultural phenomenon is that it is confusing. The main reason for the basic theory of music in China is that it is weak.
Most people talk about the concept of new music and traditional music in modern Chinese music. The new music refers to the new situation of music development after Western music enters China. In the 21st century, Western music presents a blending trend. Traditional music includes music that has been passed down from ancient history. It includes the development of new music in Chinese and Western music exchanges, but it also inherits the source of music development in China. In the development of some traditional music, it also contains new elements, which can also be called new music, but we must correctly understand it. This is new music that does not lose its origin. Another kind of new music is mentioned above. With the penetration of Western music culture, the formation of music is far from the origin of Chinese traditional music, the concept of music is relatively weak, and there is new music with a strong westernization tendency. This kind of new music contains Western music achievements. This kind of music inheritance and transfer is carried out and developed on the cultural soil of our country. It is not possible to move like the continental plate, although the spread of Western music in China may be passed down. With the capture. However, the inheritance and acquisition of this music culture is not based on the music culture blindly copied in all cultural backgrounds. The dissemination of such music culture is mainly based on the cultural choices of Chinese people. From this perspective, we can find that there are certain imitation traces in the cultural phenomenon. If it is only a simple "Westernization" music creation is only a very small number, so based on the bicultural background, the music form and concept in the modern music life of our country, Many levels of behavior, such as the traditional new music connotation of Western culture, also inherit and promote Chinese traditional culture. Therefore, in the process of blending Chinese and Western music culture, due to the different cultural choices of Chinese people, a variety of new music is produced. Therefore, even under the active choice of music culture, there is a question of choosing different base points. If it is only general, the new music produced under the background of Chinese and Western music blending, it is difficult to analyze the differences between new music from the perspective of cultural inheritance, it seems It is a mixed bag of
fish and dragons. It is difficult to explain and clearly understand the various complex phenomena existing in historical music life. It will also hinder the sustainable development of Chinese music culture construction, and it is impossible to clarify the future development direction of Chinese music culture. Therefore, based on the perspective of cultural inheritance, this paper analyzes and explores the bicultural phenomenon in the development of Chinese music in the 21st century.
In the 21st century Chinese music life, the bicul-tural phenomenon is not a clear barrier. For example, music workers can learn about music culture from multiple angles and learn Chinese and Western music, but the new music critical points are different because of the inheritance relationship, or It is a critical point blur. It is difficult for us to effectively understand music analysis methods, and we cannot correctly understand the complex phenomena of music culture and lack the insight of music culture phenomena. We must correctly recognize the development trend of modern Chinese and Western music, which mainly refers to music education, music creation, music activities and so on. In many ethnic minority and Han areas, with the improvement of economic activities, the way of music activities is also undergoing dynamic changes. The origin of music activities, the bi-cultural phenomenon of music in different classes and different regions and different nationalities is still rich and diverse. According to the way of music bicultural phenomenon, we can find that we must explore the performance and characteristics of bi-cultural phenomena from the perspective of music culture as a whole.
Second, the active choice in the cultural phenomenon of Chinese music students
The development of culture and music is a modern phenomenon in China's development. In Chinese traditional culture, Chinese and Western music cultures are constantly blending. Chinese traditional music reflects new musical forms and technical concepts, music education systems and behaviors due to the influence of Western music culture. Ways and so on. On this basis, the music of our country has been continuously innovated through the inheritance and development of the Chinese people, reflecting the musical connotation of unique cultural characteristics. The phenomenon of music culture reflects the elements of Chinese and Western music culture in the process of social reform and development in our country. Accepted by people. According to the phenomenon of English double culture in our country, we can understand that there are various modes of music culture communication and reception in the process of development of specific music culture, so there are also diverse musical cultural values and different reference systems. And inheritance methods. The most important thing in the development of Chinese music is that China's exchanges with Western countries are gradually closer. The continuous penetration of Western music culture has made China's music education and creative concepts, performances and ideas and social lifestyles closely related. The event has undergone earth-shaking changes. Just as the piano is called the king of musical instruments, according to the
continuous development of China's music culture, people's economic level has also improved significantly. According to relevant surveys, the number of people who study piano in China has grown to tens of thousands of people in the 1980s. It can be seen that the piano culture has spread to cities and villages, but in the course of development, it also reflects the misconceptions about the development of traditional Chinese culture and quality education. For example, in the teaching process, some teachers, parents, and students deviate from the piano learning in order to gain utilitarianism, blindly compare, but ignore the value of piano art. Such learning concepts will not only obliterate students' interest, but also make them small. I hate the piano and hate art and music. It can be seen that after the introduction of Western music culture, China's music culture has not developed, but it will inhibit the cultivation of music talents. Therefore, we must correctly recognize the development of China's dual music culture phenomenon, mainly from the active choice of the people. As the development of culture and art determines the soul of the nation and the country, according to the cultivation of culture and art, we can find that people will reflect different tastes and conservations. The piano belongs to the glory of music art, but the music culture in the West is integrated into the music culture of China. The evolution and development in different periods of development have a special performance tension, which makes it reach an extremely rich realm. In the process of the development of modern Chinese music, there is a constant introduction of Western music, which is also the result of the independent choice of Chinese culture. In the context of the turbulent changes in social thoughts, traditional music has been sent to the new Chinese old lifestyle and cultural behavior. Therefore, it is difficult for educators and urban intellectuals in this period to explore the development momentum of traditional music revolution from the church theater and Shucheng restaurants. Therefore, in order to change the spirit of the Chinese people, it is necessary to learn Western music, establish new educational behaviors such as music, and implement active cultural choices. Although this behavior is a passive choice after beatings and declines, it reflects new Active construction of new culture during the period.
Analysis of the problem of active choice in the process of cultural development, we can find that in recent years, the author has clearly emphasized in many articles, so from this perspective, in the process of the introduction of Western music, if there is a lack of cultural subjects, Western music It is difficult to pass in smoothly. However, some people believe that in the process of inheriting Chinese culture, blindly copying Western culture or applying it is not only not conducive to the development of traditional Chinese music culture, but also makes Chinese traditional music culture lose its Chinese characteristics and is difficult to be accepted by people. Therefore, those who advocate the new cultural movement in this period must have traditional cultural accumulation and be able to correctly understand the gap between Chinese and Western music culture. According to the unique development of Western music culture, continuous innovation can promote
Chinese traditional music culture. The change has made this a literati's initiative to explore the power of China's prosperous and strong development in the West.
Actively inheriting and promoting Chinese traditional music in thought and behavior, and accepting Western music, is an active choice, accepting from aesthetic psychology and hearing habits, and digesting Western music is an active choice. The original goal of Chinese people learning Western music is to use Western music to invigorate the spirit of the gods, to select the pleasing music works from the aesthetic point of view, to select the music objects according to the original musical listening habits and the cultural background of Western music. . Compared with modern music in the 20th century, Chinese people are more likely to accept European classicalism and romantic music style. For example, in 90 years, it is said that the development of modern Chinese music is different from the Japanese model compared with the Indian model. Based on the traditional thinking of Chinese national music, we analyze that Chinese people can be compatible with Western music culture, which is closely related to their own music mechanism. For example, Zhang Zhentao's discussion on the similarity between musical material and auditory habits This article in Sexuality is enough to explain Zhang Zhentao's point of view. The Chinese people abandon all kinds of historical reasons, as well as psychological and auditory feelings and physiological and auditory obstacles. Based on the analysis of aesthetic auditory psychology, we can find that the Chinese people are accepting and digesting the Western music culture, and it is the original music culture tradition and new The conditions, the independent choice under the basis, is not a passive choice without culture and unconditional, so we must correctly recognize the Chinese people, and accept the traditional music culture in the early stage of accepting Western music culture.
No matter what kind of cultural development, we must scientifically and rationally choose the direction of development. Although the cultural development process will be full of independent choices, it will also lead to bias or mistakes due to post-intelligence. Discarding the origin of Chinese music culture will lead to the development of music in China. There is a crisis, but such signs are already imminent.
Third, the importance of national music culture tradition is emphasized in the existence of Chinese music dual culture
Some musicians learn Western music and innovative Chinese music, which reflects the new music with the characteristics of the times, and also arouse people's attention to the relationship between Western music and traditional Chinese music. Regardless of the motivation, it is to explore the musical instruments and techniques of Western music, the norms and behavioral patterns to transform the traditional old music, or to inherit the Chinese traditional culture in the new era - the intangible cultural heritage. But one thing worthy of our affirmation is that although people's cognitive levels are different, there are cultural issues in the world, and it is necessary to clarify the direction of music development. For example, in the early and late period of the
May Fourth Movement, Li Dazhao and Chen Duxiu, Hu Shi and many other scholars compared Chinese and Western cultures, and they have different perceptions of Chinese and Western cultures, and even are in opposition, but this does not indicate the characters of this period. There is a cultural belonging complex in psychology, and cultural development also has a certain diversification. However, the 54 cultural movements in China are difficult to combine with the traditional culture of the Chinese nation for enlightenment development. However, it is based on the modern civilization of Europe. However, due to the historical and social reality, the phenomenon of weakness in the West is only blindly imitated or It is difficult to become a universal cultural development trend because it is difficult to become a popular cultural development trend. Therefore, based on this background, the cultural belonging crisis continues with the development of new music. A positive analysis of the musical bicultural phenomenon is accompanied by a culturally complex complex that is difficult to understand, but this is not a bad thing. Because the music culture phenomenon has a long development in China's history, it is not without any benefit in the development process. For example, Western music culture promotes the development of China's music culture, which enables China's music culture to correctly recognize its own culture. Value can also effectively transform traditional cultural connotations. However, in the society at that time, it was difficult to guide people to correctly understand this level. Therefore, there is a bicultural awareness, and the behavior is constantly innovating, and it is possible to make diversified contacts from multiple levels and scopes. By complementing and transmitting the experience of culture, effectively absorbing and digesting the effects of Western music culture, and strengthening the effective integration of various cultures, the new music formed can generate new vitality and vitality.
The analysis of Chinese modern music allows us to discover that the most influential and vital musical works in music activities contain indispensable national cultural characteristics. Therefore, under the premise of the existence of Chinese music bicultural phenomenon, we must correctly understand The traditional cultural connotation of national music emphasizes that national culture is not a kind of resistance. Instead, it can promote the effective development of Chinese music culture and promote new vitality of new music. We analyze the new Chinese culture in the seventh day of this century. We can discover that the movements of new literature and new music are all driven by Western culture. The cultural transformation and transformation of this period is not substantive but superficial. Therefore, in the literary and artistic expressions and the awareness of music culture and people's aesthetic concepts, because the Chinese traditional culture itself has extremely powerful energy, it will collide with Western culture, or after inspiration, release a new culture. Splendid. The accumulation of cultural energy is mainly in the process of cultural inheritance and development of the Chinese nation. The integration and development of Chinese and Western music culture is an
opportunity given by history. The source of cultural renewal lies in the traditional cultural connotation of culture itself, just like a meteor shower breaks through the horizon. People will marvel at the spectacular scene of the meteor shower. When people watch the beautiful scenery of the meteor shower, they ignore the meteor shower because of the beautiful night sky created by the rubble rubbing the atmosphere. Just as in the art movement, Xing Xinghai and Guo Moruo and Nie Er, these classic works are rooted in the soil of national culture. We must correctly understand the connotation of Chinese traditional music culture. According to the specific creation of musicologists and the comprehensive analysis of social background information in different periods, we can explore the essence and connotation of Chinese music culture, and correctly understand the origin and development trend of Chinese music culture phenomenon. .
Analysis of the phenomenon of music bi-culture, we can find that due to the various relationships between the bi-cultural phenomenon, in the modern music culture activities in China, the most important thing is to choose and adjust the cultural inheritance relationship. In the middle of the 20th century, if the new music movement emphasizes and inherits the national music culture tradition, too much emphasis is placed on the creation and theoretical performance of national music, but at the end of the 21st century, the cultural phenomenon of Chinese culture shows a cultural situation, which is difficult. There is a current development landscape. Even so, there are still serious problems in the process of building music culture in China. Because the values and material civilization accompanying the West are different from those of China, in the context of the blending of Chinese and Western music culture, China's music also reflects diversity. Features, such as symphony, folk music, opera, etc., due to the influence and impact of Western varieties, people's future development of Chinese music culture has also increased. Therefore, we must correctly understand the Western music culture, and play an influential and facilitating role in the inheritance of Chinese music culture. At the same time, we should guide and help according to the development of China's music culture.
Since people's influence on history is formed in a multi-faceted manner, although the development of Chinese music seems to be natural, it is the active choice of the Chinese people. This is not a worrying thing. The main reason is to adapt to the cultural development of nature. One choice goes with the flow, the active choice still exists, but it does not meet the people's minds. Therefore, no matter how the Chinese music culture changes in the 21st century, what kind of roads or twists or spirals the history has placed on the development of Chinese music culture, one of which is worthy of clarity, the cultural exchanges in the 21st century are closer, and the various ethnic groups and regions The development trend of development and mutual integration depends on China's own cultural development advantages. In the 21st century Chinese music dual culture phenomenon, whether it is the inheritance of the traditional music culture of the Chinese nation, or the Western music culture, the people of the
country can choose the best, take the essence to abandon its dross. The development of the bi-cultural phenomenon of Chinese music, although it is difficult to get rid of the influence of the existing culture. Analysis of the phenomenon of Chinese music dual culture, we can find that we must clearly define the foothold of development in order to ensure the sustainable development of Chinese music culture.
Fourth, the national music culture inherits and carries forward the innovative music
At present, China's society is in the process of transformation and cultural development. The change of music life in China is that due to the infiltration of Western music culture, music activities and music, which are closely related to education, performance, music and people's lifestyle, all occur. The reason for this change is the change and development of society and the cultural changes in social change. What is generated in the social and cultural changes is the music phenomenon that conforms to the law, and the development of music culture phenomenon in the future. In the process, a more diverse cultural inheritance system will be formed. Although the cultural inheritance system is different, it reflects the Chinese music cultural attributes from many angles. For example, in the early 21st century, the development of music with unique Chinese cultural system and national characteristics helps the national music culture to stand on the forest of the world. This is the pursuit of the people of China, so we must correctly recognize this. The necessity of enlightening the rational spirit and the inevitability of the bicultural phenomenon of the development of modern Chinese music.
In the course of the development of Chinese double music culture in the 21st century, some musicologists advocate Western musical forms and ways of thinking, and music and art represent the national spirit of the Chinese people. Musicalists and folk music in the hearts of composers, but it does not mean that the success of the folk music can be copied to China. One of the cultural prerequisites that cannot be ignored is that the European folk music and European culture belong to the same cultural system. China and the European cultural system have a big gap. Although the bicultural phenomenon in the history of modern Chinese music shows the important role of Western music in China's new music culture, in the process of China's traditional music culture digestion and financial development, some cultures are also transmitted from the West and developed into cultural integration. An important part of Chinese culture. The integration and development of Chinese and Western music culture is not unconditional blindness, nor can it be carried out at all levels. According to the diversity of music culture, we can find that the materialized form of music is easy to accept and spread. The psychological form of music is mainly in the form of physical form of music, and the specific
connotation has a close relationship with the characteristics and integrity of Chinese national cultural psychology. Whether it is ancient or modern, it is like the influx of Western musical instruments into China, such as the introduction of musical thinking. Therefore, according to the above mentioned Chinese people's recognition and acceptance of the delightful songs in Western music, there are conditions for acceptance and selection, just as the influence of the trend of thought in our society and the emotional orientation of music have a certain influence on people's lives. . The main reason is that traditional music expressions are difficult to satisfy complex emotional expressions, so composers should innovate and create musical language to meet the diverse development needs of the times.
Conclusion
In summary, we can see that the phenomenon of Chinese music culture refers to the integration of some western music culture thoughts and contents in the process of inheritance and development of Chinese music. On this basis, a unique modern hospital development style has been formed. . The bicultural phenomenon was first proposed in the development process in 1989. The musicology community explored this phenomenon to further promote the effective development of Chinese music culture. At present, the exchanges between countries and countries are gradually becoming closer. The music culture of our country is constantly developing and innovating, and it has also embodied unique national characteristics in the world. In the process of development and mutual influence between Chinese and Western music, culture is also undergoing continuous transformation, although Eastern and Western cultures remain different of China's music culture in the past 100 years. Unprecedented vitality and vitality.
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