CC BY
1music culture. In order to create a relaxed and pleasant cultural learning environment, large and small classrooms can be effectively integrated in the daily education and teaching process. Through small classroom teaching and centralized guidance, it helps to improve the quality and efficiency of national music culture teaching. Classroom teachers hold a variety of extracurricular activities, holding national music appreciation lectures and music culture knowledge lectures, national music interest activities, etc., infiltrating the national music culture into the daily life and learning process, creating a relaxed and pleasant development atmosphere for students. It will help students to penetrate folk music and explore the diversified development of national music culture, thus improving their overall comprehensive quality.
Conclusion
In summary, we can see that while carrying forward our country's national music culture, we must correctly understand the diversified characteristics of world music art, strengthen the effective integration of national music and world music art, and build an open national music environment. To establish national self-confidence, stimulate national self-esteem, and effectively improve China's national characteristics can also
promote the better inheritance and development of China's national music culture. Therefore, we must correctly understand the connotation and ideological value of the national music culture, effectively absorb the development advantages of the Western music culture, strengthen the effective integration of the two, and play the symphony of the art sings with the times.
References
1. Yu Wenzhi. On the Inheritance of Ethnic Music Culture[J]. Northern Music, 2015(19).
2. Ma Dan. Music Education and National Music Inheritance [J]. Yalu River (the second half of the month), 2016 (3).
3. Zhao Yinping. Cultural Confidence—The Issue of the Times Put forward by Xi Jinping [OL]. Xinhuanet, 2016-08-05.
4. Li Hongying. Analysis of the significance of protecting and inheriting national music [J]. Northern Music, 2015 (17): 122.
5. YU Ling.Thoughts on the Inheritance of Traditional Ethnic Music[J].Journal of Chifeng University, 2017 (11):225-226.
6. Tian Liang. Chinese traditional music is promoted in music culture
ON THE ARTISTIC PERSONALITY AND CHARACTERISTICS OF CHINESE NATIONAL MUSIC
ZuoPei Cheng
Candidate of sciences Ukrainian National Skavoro German Normal University
directing professional art
Abstract
China is a multi-ethnic country with 56 nationalities each with its own characteristics, while the history of national music has a long history, with unique artistic features and aesthetic qualities. China's national music presents its characteristics, its styles are diverse, its forms and genres are rich and colorful, and it has strong inclu-siveness and development. In the process of historical development, ethnic music can maintain a high degree of consistency between aesthetic traits and artistic features. The main reason is that Chinese national culture can correctly understand the connotation of national music art. On this basis, this paper briefly analyzes the artistic personality and characteristics of Chinese national music, and hopes to effectively promote the sustainable development and innovation of national music culture, and truly highlights the unique artistic quality of Chinese national music.
Keywords: ethnic music, artistic personality, traits, diversity, inclusiveness
First, the concept of Chinese national music National music refers to the national music of a certain nation or country that is unique in its historical development and has artistic and humanistic attributes. National music includes not only local and folk music and traditional works, but also folk music pieces or elemental music works, vocal works created according to folk music specifications or forms. The national music mentioned in this article refers to Chinese national music. The Chinese folk music has different styles and various types, and has a long history of development. Combined with the concept of folk music, we can divide our national music into two parts: 1. Traditional folk music includes traditional opera and folk songs, folk art, dance music and instrumental music, and rap-style music art form. For example: two-person turn, Beijing opera, Yue opera, Pingju, etc., Taiping lyrics
and Suzhou Pingtan, Jingyun drum and so on. 2. National music works combining traditional Chinese music tracks and creative elements, traditional music forms and specifications. Wang Luobin is known as the western song king Robin's music works, with strong representativeness. Wang Luobin especially loves Xinjiang music art, and has created a large number of classic vocal works according to Xinjiang folk songs, such as "Pick up your hijab", "In that Distant place, "Youth Dance." According to the above many characteristics, Chinese folk music has strong aesthetic characteristics and artistic characteristics.
Second, the characteristics of Chinese national music art
(1) Inclusiveness
Chinese folk music has artistic characteristics and strong individuality. The main reason lies in its development and strong glory. Whether it is drama, folk
songs or rap art, there are relatively mature music specifications and forms, but the content is not static. The music art form of each nation will be created in combination with social culture and the background of the times. Therefore, new music pieces and works will be derived according to the diversified development needs of the society. For example, during the Qianlong period, the economy was established and gradually developed. Since its development, the Beijing Opera has gradually become rich and updated without stagnation. The economy has strong artistic specifications and performance value, and has a large number of classic repertoires, such as: "Three Clap", "Yutang Chun", "Gang Yinghui", "Picking the Pulley", "Picking Jade Bracelet", etc. New track. For example: the famous drama theorist during the Republic of China, Mei Lanfang's new Beijing opera is the most representative of "Luo Shen", "Tian Nu San Hua", "One Ramie" and so on. Whether it is a new Beijing opera repertoire or a Beijing opera repertoire and the significance of its development, it not only enriches the total number of Peking operas, but also comprehensively improves the artistic ideas and concepts, spirits and expressions, forms and costumes, and stage sets of Peking Opera. The scale and level of Beijing Opera art. All of the above are sufficient to prove that China's national music art has strong inclusiveness and development, and it is constantly innovating and developing in the long history.
(2) Diversity
The forms and genres of Chinese national music art have strong national characteristics and styles, and distinct artistic individuality, which are closely related to the human environment and geographical environment. China's vast territory is a multi-ethnic country, and the geographical environment of each ethnic group has a large gap, so the ethnic customs and living habits of the nation are different. In daily production and life work, the nation and the region have created ethnic music art with unique national characteristics, such as the Qin Dynasty in Shaanxi, which is magnificent and magnificent, while the Yue Opera in Jiangnan is fresh and feminine, and the Beijing Opera is magnificent and graceful. It looks full of charm. Xinjiang folk songs have strong exotic characteristics. Mongolian folk songs are singular, while Northeast folk songs are gracious and bold. Jiangnan folk songs are soft and euphemistic. It can be seen that the music of 56 ethnic groups in China presents a diversified development trend, and the development of national music is incomparable.
Third, the national music inheritance and dissemination of national values and cultural attributes
Values always affect people's life and work, state of mind and spirit, cognitive ability and so on. Values are the unique values system of all ethnic groups and countries in the historical development process. They are mainly derived from national culture, also belong to specific cultures, or are the driving force and driving force for the development of civilized production. Compared with the values, the cultural connotation is more in line with people's production and life, and helps to gradually improve the details and aspects of life, affecting or guiding people's life and working methods.
Under the current background of globalization, no matter which country, it attaches great importance to its own civilization history and spiritual culture, especially the shaping and export of values. Although there is no great correlation between national music and values in terms of superficial meaning, the essence of the two has an important link that is difficult to divide, and it has an irreplaceable important role in the development of Chinese national music. Since values are an important aspect of China's spiritual civilization construction, the shaping of values is a political color of the policy and administrative policies of the state and the government. However, the political color is not a change of color, but a driving force for promoting the continuous development of China. Whether it is ancient or modern, music has a close relationship with political development. Although this kind of relevance is not as direct and specific as other things, it still has an extremely important role in promoting, such as the analysis of traditional music ideas, traditional folk music. It is necessary to raise people's ideological values to reflect the meaning and value of national music. Analyze values from the perspective of the country's overall development and strategy, including theory and writing, as well as artistic soft power, such as art and music development. Music is the most accepted by people in art. People can also directly experience and promote values from music. For example, classical art songs and European classical operas have gradually evolved into the mainstream of world music development through continuous development and innovation. The country's popular music is attacking the whole world. When people's thoughts are influenced by Western music culture, they can also be influenced by the culture of Western music, thus subtly affecting their own values and ideology and culture. This is the output and acceptance of values.
The development and inclusiveness of Chinese national music are closely related to their own aesthetic personality and artistic nature. Because of the different functional attributes and aesthetic standards of music, no matter which national or national national music art is mainly and aesthetic Standards and functional attributes have a close relationship, that is, the most basic aesthetic functions and entertainment functions, whether ethnic music has inheritance functions and cultural communication functions. The thinking styles and cultural personalities of different nationalities and countries are different. Therefore, there is a big gap in the degree of cognition of the attributes of national music art. The national and national differences in the functional attributes of music are different. The ethnic music in the African region is relatively primitive, and the musical attribute is the entertainment function, but it does not promote the music to the aesthetic stage. Therefore, the national music culture in Africa is rare. Chinese national music has strong aesthetic standards and personality characteristics. Entertainment is the musical and artistic characteristics of various countries. As a national music aesthetic with a long history of culture, China is in no way inferior to other countries, so our national music is for music. There are more requirements for melody and aesthetics. Since the develop-
ment of national music, whether it is from the perspective of national thinking or traditional culture, national music is not a single boring form of performance, but a carrier of cultural communication of values and ideology, and bears an important obligation to spread ideological and moral norms and its cultural spirit. And responsibilities. Analysis of China's historical dynasty and development period, no matter which social environment and development background, can prove that the coherence of China's national culture is in line with the same strain, and it can also prove that China's national music culture is unique and rich in content, with profound connotation. Strong aesthetic standards and three-dimensional aesthetic perception level. For example, when admiring Peking Opera, most of the audience will pay attention to the performance of the actors and the plot of Beijing Opera. Therefore, they will feel the cultural values from the Peking Opera performances. These connotations and dramas are also important criteria for the audience to consider when judging music works. One. Chinese traditional folk music is aesthetic and entertaining, and has strong cultural communication and carrying functions, so it is very different from aesthetics and entertainment. This point is also the most important in the development of music in China. It is difficult to replace and analyze Chinese folk music from many angles. It has more value and effect, can bring people sensory pleasure, and can improve people's ideological cognition, carrying national emotions and Thought, values and national cohesion.
Conclusion
In summary, we can see that China is a multi-ethnic country and 56 ethnic groups. Music and art have their own characteristics and different styles. However, the aesthetic characteristics and artistic characteristics of national music have strong consistency and are strong. Cultural communication and important functions carried by values. Therefore, in order to give full play to China's national music culture in the new era, we must correctly understand the national music culture, and analyze the exploration of national music art from the perspective of culture, so as to ensure the continuous development and innovation of Chinese national music under the multicultural wave, and display individual characteristics and Cultural attributes. In the process of development, national music helps to promote the continuous construction of spiritual civilization in China. This is also the charm and core value of national music art.
Fourth, the historical origin of Chinese national music art
China is a country with a long history. There are 56 ethnic groups with a broad source of Qifu, laying a solid foundation for the development of national music. During the Western Zhou Dynasty, the court music was further developed and innovated. The music of the Western Zhou Dynasty was mainly applied to the sacrificial activities. The scale of the music activities was extremely large. During the Spring and Autumn Period and the Warring States Period, the society presented a hundred music competitions, and the music art was further improved. Innovation and development. In the Han
Dynasty, Zhang Huan made the Silk Road of the Western Region open, and the music between the countries blended with each other. The development of Qing Shangle in the Southern and Northern Dynasties and the development of song and dance music in the Sui and Tang Dynasties prompted the development of China's music. In the Song and Yuan Dynasties, there were many performance forms such as Chu Gong Tune, Zaju and Yuan Ben, and the capitalist economy sprouted in the Ming and Qing Dynasties. There are folk songs and diversified rap music, such as the Northern Drums and the Southern Bullets. In the Ming and Qing Dynasties, China's national song and dance music has a certain development and innovation, the Uyghur Muqam and the Han people's Yangko and the Yi people's peacock dance, etc., further enrich the national music expression. In the context of modern cultural reform, the revolutionary movement has promoted the continuous development of history. In this period, the characteristics of national music are mainly the development trend of science and democracy, such as "Hong Xiuquan Uprising" and "Tian Xinshun", etc. Local small plays and Pingju are also obtained. Further development and innovation, such as "Teach me how to not want him", "Selling cloth" and so on. After the liberation of China, culture has been booming as never before, and music popularization activities are being actively held. For example, "Oriental Red" and "Long March Group Song" are the stars of China's music culture. With the gradual development of music activities in the north and south of the Yangtze River, as well as the cultural performances of ethnic minorities, China's music has presented a development scene of hundreds of battles.
V. The path to promote the development of Chinese national music art
(1) Resolutely implement the concept of scientific development
The scientific outlook on development requires that China must carry out unified and coordinated development in all aspects. Therefore, the inheritance and protection of national music art must establish a guiding ideology centered on the concept of scientific development. Correct understanding of national music art is an important culture of China and helps to promote China's economy is developing sustainably. The national music culture is the soul of the nation's survival and development. It can also display the unique qualities of the nation and the country. The Chinese national music art is an important part of China's long history and culture. It has strong vitality and can unite the people of all ethnic groups and promote it. China's economic development, so we must implement the concept of scientific development, to ensure that the direction of the development of national music and art is correct and feasible.
(2) Carrying out folk art music activities close to the lives of the masses
In order to further inherit and carry forward the national music culture, we should always establish the concept of inheriting and developing the national music art, and carry out the national music and art activities close to the masses' life, which will help promote the
sustainable development of our country's national music art. In the process of development, we should further create national music expressions, so that China's unique national music forms display unique national cultural characteristics, and penetrate the grassroots of the people, close to people's daily lives, actively and effectively collect and organize strong ethnic groups. The characteristic music works, this is an important part of carrying out ethnic music activities for the inheritance and protection of national music. At present, China's culture is in a diversified development trend. It should be combined with the development trend of the times to create a national music expression that is unique to the times and is favored by the people, ensuring that national music and art works can have a strong driving force for development.
(3) Strengthening the creation of the masses' national music and art works
Ethnic music originates from the nation and originates from the people. Therefore, it is necessary to hold a variety of mass music and art activities, so that unique musical works can be passed down and developed in rich and diverse ethnic activities. According to the actual situation of the region and the ethnic group, the mass music and art performances and various competitions should be carried out, and this should be taken as an opportunity to effectively improve the enthusiasm and enthusiasm of the people for the creation of folk music and art, and to inject new meaning into the development of Chinese national music. Vitality and vitality.
(4) Promoting the national music art to the world
National music is China's, but China's development is closely related to world development. In recent years, China's economic openness has gradually accelerated, and international exchanges have become
closer. Therefore, in order to develop the national music art, we must effectively promote the national music art. Going to the world can promote the sustainable development of Chinese national music. However, in the process of cultural development, the Eastern and Western national music art may have certain music and cultural conflicts, and even threaten the development of Chinese national music. However, we should correctly understand the advantages and disadvantages of national music, art, culture and communication, and closely integrate with our nation. The development of music art and the development advantages of Western music will be improved and innovated. Realizing the national music to the world can give people a stunning feeling.
Conclusion
In summary, we can see that the nation has a very broad concept in Chinese history and culture. China's understanding of the term nationality is not completely independent and monotonous, nor is it clear. In the era of global multicultural development, each nation and each country is seeking individuality for their respective arts and cultures, so so is the development of the Chinese nation with a thousand years of history and culture.
References
1. Sun Yaozu. On the Status Quo and Thinking of the Development of National Musical Art in China[J].Journal of Taiyuan Urban Vocational and Technical College,2016,(05).
2. Liu Qian. On the current situation and thinking of the development of Chinese national music art [J]. Popular Literature, 2017, (03).
3. Wang Lidan. Protection and Development of Traditional Music Culture of Minority Nationalities in China
