CC BY
0ART STUDIES
ON THE STATIC PROTECTION AND DYNAMIC INHERITANCE OF CHINESE NATIONAL
MUSIC
Yao Mengting
teaching assistant, master student teacher of music school of Baicheng Normal University main research direction: Chinese traditional folk music
Abstract
National music has a high aesthetics, art and cultural value is the artistic treasure of China's multi-ethnic, but there are some problems in the process of national music protection and inheritance. If it is difficult to effectively break through these problems, the development of national music will be stagnant. It will even die out gradually. At present, China's cultural diversity is developing, so we must pay full attention to the static protection of ethnic music, and further strengthen the commercial protection and museum-style protection model. In terms of dynamic inheritance, we should pay full attention to the inheritance model built by the inheritors and effectively improve the national culture. Professional education and the role of primary and secondary education. In this context, this paper briefly analyzes how to strengthen the static protection and dynamic inheritance of national music, and ensure that the national music culture of our country has a long history.
Keywords: ethnic music, static protection, dynamic inheritance, culture, protection mode
Introduction
National music is produced in the life and production of 56 ethnic groups in China. It is an extremely valuable art wealth. It is a vivid portrayal of the life and daily work of our national people. It has a high aesthetic, artistic and cultural value, and it reflects The culture and national characteristics of different nationalities. At present, China's culture presents a diversified development trend. Multicultural value theory is also an important development form of social culture. National music is an important part of national culture and faces new development opportunities, especially in the process of declaration of intangible cultural heritage. As an important symbol of national culture, music is included in it. The government and scholars from all walks of life also correctly recognize the profound and profound significance of national music culture, gradually pay attention to the protection and inheritance of national music, and actively explore how to ensure and protect the nation. Music is sustainable. The protection of ethnic music is a static work. Only protection is not enough. It is difficult to make national music full of vitality. Therefore, in the process of national music protection, dynamic inheritance should be strengthened to ensure that national music has a certain musical stage and can be subject to The love of the youth group can ensure that the benign development chain of the protection and inheritance of the national music can last for a long time.
First, the characteristics and development of national music
Ethnic music is different from Western music and has strong locality. The reason is that 56 ethnic groups in China have cultural support. Although ethnic music has strong national characteristics, the current development status is not satisfactory.
(1) Characteristics of ethnic music
Ethnic music has local, regional and differential characteristics. China is a multi-ethnic country of 56
nationalities, and 56 ethnic groups have their own characteristics. Therefore, ethnic music also presents different characteristics. There are great differences among the 56 nationalities. Due to the differentiation of national music, the overall national music in China is presented. According to relevant statistics, China's national music is mainly divided into more than 400 kinds. China has a vast territory, 56 ethnic groups are distributed in different regions, and each region has born ethnic music belonging to the region. Therefore, ethnic music has its unique regional culture and people's living customs and personality characteristics since its inception. Cultural Features. For example, folk songs in the south are usually delicate and feminine, beautiful and beautiful, reflecting the unique warmth of the South. The northern folk songs are atmospheric and rare, and this feature is closely related to the character of the northern people. The northeast and northwest folk songs are full of vitality and vitality. The folk songs of the north and the south have a sharp contrast, and also reflect the national music of China. Regional characteristics. The emergence of national music has certain improvisation. Most of them are created by the working people casually. Whether it is the tunes themselves or the words they match, the content of the exhibition is closely related to people's daily life and work. And the tune expresses and entrusts people's wishes. When people create national music, they do not deliberately scrutinize, nor follow the music theory, but improvise. At present, China's culture is diversified and developed, and different people sing and develop national music. It also formed a unique ethnic music.
(II) Status quo of national music development
The development of national music is not satisfactory. Because ethnic music has the cultural meaning of national characteristics and its historical and contemporary nature, if some of the above conditions of national music disappear, it indicates that the external environment of national music has undergone certain changes,
so The survival of national music will be difficult. National music not only depends on the music itself to survive, but also ensures that there is a suitable external living environment, otherwise the national music is easy to fall into the process of historical development and gradually disappear. For example, crying wedding songs, such songs will disappear if there is no necessary environment. At present, the inheritance and development of Chinese national music is in a developmental position. Although some people recognize the importance of the development of national music, some research scholars and government and non-governmental organizations have tried their best to strengthen the protection of national music and develop the cultural value of national music. And economic value, to ensure that national music can conform to the trend of the times, fully reflect the era value of national music, form a self-sufficient inheritance model and two protection mechanisms. However, there are still many problems in the practice of folk music. For example, individuals and groups have not taken scientific and reasonable measures in the development and protection of national music, leading to the commercialization of national music, or the development of national music. Modern pop music is inappropriately blended together, thus deviating from the normal development goals, and seriously jeopardizing the cultural implications of national music. Although some people have taken relevant measures to protect and develop ethnic music, there are still some problems and some unreasonable practices and numerous crises in the process of protection and development, which are urgently needed to be perfected and explored.
Second, the value of national music protection and inheritance
(1) National music is the embodiment and continuation of national culture
The main reason for the protection and inheritance of ethnic music lies in the important value of national music itself. The national music is the life and thought of the nation, and it is also the soul of all ethnic groups. If the nationality loses the national music, this part of the national culture will be dull. It is also not complete. National music is the embodiment and continuation of national culture. National music is an important part of national culture and a cultural result of national transmission. Although people's life is limited, the life of national culture is infinite, and national music bears witness. The inheritance and development of national culture. If you do not protect the national culture, it will undermine the cultural heritage of national music.
(2) National music culture has high aesthetic and cultural value
National music is derived from the long-term national life and has been loved by the nation. It can withstand the love and sing of most people. Although the national music may be improvised in the early stage of creation, the national music has already been developed. It has formed a high aesthetic and cultural value. Compared with modern pop music, national music is more pursued, and the harmony of temperament and form and spirit is derived from people's production and life. Labor is full of people's kind and simple life. And
the pursuit of the harmonious unity of man and nature, the spiritual thought of national music is extremely rich, and profoundly helps to improve people's aesthetic value and comprehensive quality.
(3) National music establishes its cultural status in the context of globalization
Under the background of the current globalization of culture, the nation can be based on the forest of the nation. The main reason lies in its enormous economic and political strength, and its unique national culture, which can be seen by other people and deeply affected. For example, the folk song "Jasmine" is a representative national music song, and is considered by foreigners to be an important song reflecting our national spirit and emotion. Therefore, in the context of globalization, China must establish its own cultural status and give full attention to national music. The importance of passing in the world, so China must pay attention to the inheritance and development of national music, in order to effectively improve China's cultural status.
Third, the dilemma encountered in the static protection of national music and development counter-measures
(1) The status quo and dilemma of static protection of ethnic music
At present, the static protection of ethnic music in China has achieved certain effects. Some civil organizations and researchers have collected and compiled a large number of national musical instruments, songs and scores, etc., and actively rescued and protected the scattered national music resources. However, there are still some areas where static protection work is still insufficient. The following are the main points: 1. The purpose of collecting and protecting ethnic music is not clear. Some civil organizations and research scholars pay great attention to the excavation of national music, but the purpose of collecting national music is not to protect national music, but to show results or research results, so it is difficult to truly protect national music. 2. National music protection should reflect economic benefits. If the protection of ethnic music lacks funds, then national music itself will lack continuity. At present, based on the protection of ethnic music, how to form a scientific and rational form of commercial protection, give full play to the economic benefits of national music, and ensure that ethnic music is not affected by various factors, these issues are urgently to be explored.
(2) National music static protection countermeas-
ures
1. Collect and protect national music
The important purpose of collecting national music protection is to protect the original flavor of national music. In order to ensure the better inheritance and development of national music, it is necessary to strengthen the protection of intangible cultural heritage. This is also an extremely important protection mode, which can be used in museum style. The protection mode, for the comprehensive collection of ethnic music, should be systematically organized and comprehensively analyzed after collection, fully demonstrating the cultural characteristics of ethnic music, such as the
museum's collation and reproduction of relevant materials, from which we can see What is the cultural relic unearthed? How was the age of the presentation? Therefore, the use of the museum is a protection mode, which can ensure the degree of restoration of national music, combine the environmental background at that time, and maintain the complete characteristics of national music, which helps to display the unique charm of national music, and is the arrangement and presentation of national music. After collecting and arranging ethnic music and protecting it in a museum-like mode, it can bring economic benefits to national music, but it will not destroy the characteristics and cultural content of national music.
2. Protection based on appropriate business models
The protection of national music should be built under a scientific and rational commercialization mode. The use of commercial operation mode can ensure the sustainable development of national music and provide funding, organization and protection opportunities for the development and inheritance of national music. For example, national or part-regional national music performances can be carried out, so that artists of different nationalities can participate in and perform music activities, and music activities become normalized, and become an activity that people like and enjoy. By organizing a variety of ethnic music activities, it will help to raise the awareness of national music protection, and spread the protection of ethnic music to a wider area, which can be effectively radiated and driven by many industries and fields such as new media and tourism. Further promote the development of national music industry, form a large-scale cultural industry, and ensure that ethnic music has a very broad space for development, and enjoy protection and development in the process of transformation and development.
Fourth, the national music dynamic inheritance dilemma and development countermeasures
(1) The status quo and dilemma of the dynamic inheritance of national music
There is a certain dilemma in the dynamic inheritance of ethnic music. The main reason is that it is difficult for some people to inherit after the inheritance of national music, or the loss of national characteristics in the inheritance of national music. To protect national music, we must not only protect the music's own musical instruments and music scores, but also pay full attention to the music inheritors. How to choose music inheritors involves the inheritance and development of national music. The dynamic inheritance of national music requires the national music to remain authentic, and it is active and dynamic. It can reflect its own music culture. It is not a simple knowledge and theory. Therefore, how to protect the national music culture must be traced to the national music inheritor. Young inheritors can vividly display and pass on national music. Therefore, it is not possible to simply use spiritual incentives or subsidy fees. The inheritor must be regarded as an important industry inherited from ethnic music. At present, I have not correctly understood this problem, and it is difficult to form a good form of national music in-
heritance. . The inheritance of national music is inseparable from the new generation of students, so it is necessary to strengthen the effective penetration in higher vocational and primary and secondary education. At present, in most middle and primary school music curriculum education in China, ethnic music usually plays a marginal role, does not form scientific and reasonable theoretical knowledge, and has not received the attention of teachers. Therefore, primary and middle school students believe that national music is optional. Interested in pop music, turning a blind eye to national music. Although students of higher education will learn music-related knowledge, it is difficult to correctly understand the intrinsic value of national music and does not pay attention to the development of national music.
(II) Countermeasures for the development of national music dynamic inheritance
1. Constructing an industrial model for the music inheritor to rely on the survival of national music to realize the value of life
National music inheritors must correctly understand the importance of the work of national music inheritance, actively undertake relevant work and tasks, and make national music bigger and stronger, not only to obtain stable income in the work of national music inheritance, but also to use this Realize the value of life. Some traditional crafts have obtained economic benefits in the process of inheritance and development, and realized the value of life. Therefore, national music should also learn effectively from the traditional craft industry model, strengthen the development of the national music industry culture, and provide diversified national music inheritors. The employment path, after assisting them to enter the employment path, to support and encourage, can grant special funds, so that the national music inheritors can better develop and study the national music, and help to improve the work confidence and consciousness of the national music inheritors. .
2. Strengthen the proportion of national music courses in the music education of primary and middle schools
In the process of the dynamic development of ethnic music, the education of national music should be fully strengthened. Music education should not only embody the interest, but also should be in line with the times, in order to improve the interest in the study of national music for primary school students and music majors, and to actively carry out ethnic groups. Music learning. Therefore, in the process of education, national music should be effectively guided according to different types of people with different needs, effectively stimulate the interest in music learning, carry out different music education measures, and enhance the educational status of national music in the process of music foundation and professional education. Showcasing its own unique charm.
Conclusion
In summary, we can see that the static protection and dynamic inheritance of ethnic music is a key issue in the development of national music, and it is also a problem that many scholars and the community have widely considered. National music represents China's
unique national culture. National music helps to strengthen China's national cohesion and further develop China's national characteristics. Therefore, in order to promote the sustainable development of national music, the author believes that we should further strengthen the static protection and dynamic inheritance of ethnic music, give full play to the regional cultural characteristics of ethnic music, and ensure that national music has unique vitality and vitality, which can further promote China. The overall sustainable development of ethnic music promotes the further innovation of China's music culture.
References
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2. Wang Hui, Liu Jinping, Xia Congya. Discussion on the Contemporary Development of Original Ecological Minority Music[J]. Guangxi Social Sciences, 2014(11).
3. Zhang Zheng, Wang Longqing. On the Inheritance of Ethnic Music Culture and School Music Edu-cation[J]. Northern Music, 2015, (03).
4. Mao Qiu Si, Lin Hongwei. Analysis of the Inheritance of Ethnic Music Culture and School Music Education[J]. Popular Literature, 2017, (15): 244.
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CARRY FORWARD THE NATIONAL MUSIC CULTURE, BLEND THE WORLD MUSIC ART, AND
ENJOY THE ART SYMPHONY
XueLu Li
studying for master's degree Ukrainian National Skavolo German Normal University Music Art
Abstract
At present, China's music art presents a diversified development trend. Facing the flourishing music culture, music teachers must closely combine the characteristics of the times and develop new methods of national music teaching, fully carry forward the national music characteristics culture, and further integrate the world music art beauty. In this context, this paper briefly analyzes how to carry forward the national music culture, promotes the effective integration of national music culture and world music art, and plays the symphony of music art, and proposes relevant national music development strategies, and hopes to effectively promote the diversified development of national music. Further improve the international development status of Chinese national music.
Keywords: national music culture, promotion, world music, artistic beauty, art symphony
Introduction
With the diversified development of China, the degree of opening up to the outside world has gradually deepened, and Western music culture has gradually penetrated into the music field in China, and the music culture has been blended and rubbed. Therefore, in this context, this article explains how to carry forward and inherit Chinese national music culture from the following aspects, and further integrate world music:
First, the development of modern music education
At present, China's reform and opening up has gradually deepened, and music education has undergone earth-shaking changes. For example, under the concept of quality education, it is necessary to promote not only the all-round development of students, but also the development of traditional music appreciation and music common sense, and the imitation of musical works to high quality. A multi-level music education stage that values emotions and values. In the process of music education, we should think about what is music education, what is called high quality music education? What kind of music works are considered to have quality and temperament? The answer to these questions is to carry forward and inherit the musical elements of ethnic minorities in China, and to effectively integrate foreign music art and national characteristics music art, so that students can form correct aesthetic concepts of music and art, and conduct comprehensive and advanced guidance and inspiration for students. Improve
students' musical aesthetic ability, also known as quality and efficiency, high quality music art education.
Second, the national music culture can be processed to the world.
The nationality is also the world - Mr. Lu Xun's sentence emphasizes the importance of national culture. China's music education has a long history. With the continuous development and innovation of the economy, Western music culture has a certain cultural impact on Chinese national music. Since the world culture presents a diversified development trend, the world is composed of many ethnic groups, so the essence of the world is pluralism, but also unity and harmony. National cultures are all different. We must fully respect the national culture and maintain the characteristics of the national culture. Only then can we reveal the atmosphere of globalization and ensure the survival and development of national culture in the world. Inheriting the national culture of our country, and processing the national music, we can uniquely have our national characteristics and go to the world. Confucius, an educator during the Spring and Autumn Period and the Warring States Period, proposed famous academic theories, including ritual, music, poetry, books, Yi, and Spring and Autumn. We can find that Confucius put music in the first place. It can be seen that ancient times pay more attention to music education. Therefore, in the process of Chinese national culture, there are rich ideological concepts, and also infiltrate moral education. When inheriting national music culture We must understand the
