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0unique national culture. National music helps to strengthen China's national cohesion and further develop China's national characteristics. Therefore, in order to promote the sustainable development of national music, the author believes that we should further strengthen the static protection and dynamic inheritance of ethnic music, give full play to the regional cultural characteristics of ethnic music, and ensure that national music has unique vitality and vitality, which can further promote China. The overall sustainable development of ethnic music promotes the further innovation of China's music culture.
References
1. Song Xiaoli, Song Xiuhui. On the Protection and Inheritance of National Music [J]. Voice of the Yellow River, 2014 (18).
2. Wang Hui, Liu Jinping, Xia Congya. Discussion on the Contemporary Development of Original Ecological Minority Music[J]. Guangxi Social Sciences, 2014(11).
3. Zhang Zheng, Wang Longqing. On the Inheritance of Ethnic Music Culture and School Music Edu-cation[J]. Northern Music, 2015, (03).
4. Mao Qiu Si, Lin Hongwei. Analysis of the Inheritance of Ethnic Music Culture and School Music Education[J]. Popular Literature, 2017, (15): 244.
5. Wang Xin. For small and medium
CARRY FORWARD THE NATIONAL MUSIC CULTURE, BLEND THE WORLD MUSIC ART, AND
ENJOY THE ART SYMPHONY
XueLu Li
studying for master's degree Ukrainian National Skavolo German Normal University Music Art
Abstract
At present, China's music art presents a diversified development trend. Facing the flourishing music culture, music teachers must closely combine the characteristics of the times and develop new methods of national music teaching, fully carry forward the national music characteristics culture, and further integrate the world music art beauty. In this context, this paper briefly analyzes how to carry forward the national music culture, promotes the effective integration of national music culture and world music art, and plays the symphony of music art, and proposes relevant national music development strategies, and hopes to effectively promote the diversified development of national music. Further improve the international development status of Chinese national music.
Keywords: national music culture, promotion, world music, artistic beauty, art symphony
Introduction
With the diversified development of China, the degree of opening up to the outside world has gradually deepened, and Western music culture has gradually penetrated into the music field in China, and the music culture has been blended and rubbed. Therefore, in this context, this article explains how to carry forward and inherit Chinese national music culture from the following aspects, and further integrate world music:
First, the development of modern music education
At present, China's reform and opening up has gradually deepened, and music education has undergone earth-shaking changes. For example, under the concept of quality education, it is necessary to promote not only the all-round development of students, but also the development of traditional music appreciation and music common sense, and the imitation of musical works to high quality. A multi-level music education stage that values emotions and values. In the process of music education, we should think about what is music education, what is called high quality music education? What kind of music works are considered to have quality and temperament? The answer to these questions is to carry forward and inherit the musical elements of ethnic minorities in China, and to effectively integrate foreign music art and national characteristics music art, so that students can form correct aesthetic concepts of music and art, and conduct comprehensive and advanced guidance and inspiration for students. Improve
students' musical aesthetic ability, also known as quality and efficiency, high quality music art education.
Second, the national music culture can be processed to the world.
The nationality is also the world - Mr. Lu Xun's sentence emphasizes the importance of national culture. China's music education has a long history. With the continuous development and innovation of the economy, Western music culture has a certain cultural impact on Chinese national music. Since the world culture presents a diversified development trend, the world is composed of many ethnic groups, so the essence of the world is pluralism, but also unity and harmony. National cultures are all different. We must fully respect the national culture and maintain the characteristics of the national culture. Only then can we reveal the atmosphere of globalization and ensure the survival and development of national culture in the world. Inheriting the national culture of our country, and processing the national music, we can uniquely have our national characteristics and go to the world. Confucius, an educator during the Spring and Autumn Period and the Warring States Period, proposed famous academic theories, including ritual, music, poetry, books, Yi, and Spring and Autumn. We can find that Confucius put music in the first place. It can be seen that ancient times pay more attention to music education. Therefore, in the process of Chinese national culture, there are rich ideological concepts, and also infiltrate moral education. When inheriting national music culture We must understand the
national mood and customs, draw on the cultural and ideological connotations, and take advantage of the cultural development trends of Western countries, closely integrate with China's development to improve and innovate the reality, and improve the quality and connotation of national music. The national music culture is an important part of the traditional culture of our country. It has an important and irreplaceable influence on the development of our country. The national music culture has rich cultural and historical connotations and is a spiritual display of different nationalities. China's vast territory is vast, and its national life is different. Each nation has its own unique living habits, so the national music culture is also very different. Ethnic music culture has many characteristics such as locality and difference. Therefore, if we want to improve our country's cultural soft power, we must further explore the cultural connotation of national music. Through effective publicity and education, people can understand the meaning of national music culture. Spiritual quality helps to cultivate the national spirit of the people and make them actively and optimistic about their lives.
3. Differences and integration strategies between national music art and foreign music art
(1) Differences between national music art and foreign music art
National music is an important and basic expression in Chinese music art. It is an artistic expression of my children's life and sentiment. The national music art usually reflects the humanistic feelings and characteristics of a nation and a region and an era. Music originates from the authors who write more than the folks but are hard to find the final. They can only say that this work is a local folk song or a minor tune in a certain area. National music has a wide and heart-felt element of music and art. Because of the unique artistic expressions and thinking of our nation, we can create the Chinese music art of national music. After the reform and opening up of our country, Western art works flowed into the people's minds of our country. Because of the different artistic styles and expressions of the music and art content and expressions of Western countries, there is a big gap between the artistic expressions of Chinese music and cultural content, such as singing performances. Form, at present, the level of development of national vocal music in China has reached a higher level, but there are still many gaps between singing style, atmosphere and effect with mainstream vocal singing. In terms of dance, there is a big difference between Chinese classical dance and American jazz dance and Latin American tap dance. The artistic expression of music performance is also different from the music theory. The form of music in our country is usually melodic, while the majority of Western music is the polyphonic and sound effects of multiple voices.
(2) Integration of national music art and foreign music art
At present, China's music culture presents a diversified development trend, and the world culture is also splendid. The music and cultural exchanges between various ethnic groups and countries are gradually increasing, and the expression of music art is more com-
plicated. With the gradual deepening of China's opening up to the outside world, Western music art schools and ideas flowed into China and were accepted by the people. In order to further promote China's national music culture, we must effectively grasp the effective combination of national music and Western music thought content. We can analyze and study the origins and elements of music art from the perspectives of ancient and modern, mainly from people's In daily life, there are many music, ideological and cultural exchange stories in the development of China's history. For example, Zhang Wei's release of the Western Region, Zheng He's voyages to the Xiongnu and the pro-and so on, as well as the contemporary World Music and Arts Festival, through the integration of specific events and The story strengthens the effective integration of musical art elements and motivations. It can also enrich the form of music and art performances, such as the effective integration of national solo and chorus with international vocal singing in vocal performances, re-processing and creating musical works, and performing with harmonic music effects, and in dance Effectively integrated into the music melody, it helps to give full play to the auxiliary role of music. Throughout the world, the dance skills are mainly based on music and dance.
Fourth, carry forward the national music culture, the specific strategy of integrating the world art beauty
(1) Blending national music culture with Western music culture
In the new era, the most important purpose of carrying forward the national music culture is to better carry forward and promote the cultural connotation of national music. Therefore, we must correctly understand the importance of national music, take its essence, discard its dross, and treat the development of national music fairly and fairly. . Under the current era of diversified development in China, world music also presents a diversified development trend. Therefore, we should adopt a fair and just attitude, use an open-minded view of national music culture, and understand the value and connotation of Chinese minority music culture. In the process of education, we must not only strengthen the education of national music culture, but also integrate it into Western education. We should provide ethnic music courses according to the interests of the people and the needs of education and teaching, or organize a variety of ethnic music activities to help Chinese and Western music culture. The effective integration enables the people and students to feel the characteristics of multi-ethnic music under the influence of music culture, and it can also be better carried forward.
(2) Promoting national music culture should be innovative
In order to promote the great integration of world music and art, we must inherit and carry forward our national music culture. Innovate and develop on the basis of the original national music culture. At present, China's national music culture inherits and destroys the ecological environment. Therefore, it is difficult or even impossible to restore the national music culture to its original state in a bad cultural and ecological environment. Therefore, we should correctly understand the
national music culture. The importance of inheritance and promotion. The museum-style protection model can be adopted, but the national music culture is full of vitality and vitality. If only the static protection method is adopted, it is difficult to promote the diversified development of the national music culture, so it is necessary to reform and innovate on the basis of inheritance. Under the context of the integration of English globalization and world art, the ecological environment of national music culture should be diversified, easy to construct, full of vitality and vitality. Therefore, we must effectively integrate Chinese national music culture with traditional civilization and contemporary development background, strengthen the effective communication between Eastern and Western civilizations, and establish a development model centered on China's national music culture, supplemented by Western music culture, and the soil of the colonial culture. To realize the cultural innovation of the Chinese nation, we can ensure that our country's national music culture has become a music culture shared by all, gaining people's sense of identity and helping to promote the national music culture to the diversified development of the world. In the process of inheriting and developing the national music culture, we should effectively combine the actual development of China's development with the current world art development trend, avoid harming the original ecological features of national music, and seek for the true, surviving folk original ecology that is not understood. Music, data sorting and rescue, fully consider the actual needs and psychological feelings of national music recipients. Tracing back to the source, we will learn from and integrate the outstanding experiences of the fraternal people and the development of Western music culture, and process and innovate the development of China's national music culture. For example, famous musicologist Liu Tianhua used Western violin music to create erhu works with playing techniques. The Bright Music, and the violin music "Liang Shanbo and Zhu Yingtai" also adopted the Western musical instrument violin and concerto form. The Yue Opera vocal in our country uses the opera music rocking board and the three boards in the music, and uses the unique Chinese retouching method and the western violin playing method. Through the mutual learning and integration of the Eastern and Western music culture, the music works become the music culture of our country. Classics will help promote the further innovation and development of China's national music culture, and thus sing the artistic symphony.
(3) Establishing the awareness of national music protection and combining traditional music with popular music
At present, China's culture, politics, economy and many other factors continue to develop and extend. The national music culture should also advance with the times. However, with the gradual deepening of China's openness, the invasion of Western foreign culture has hindered the development of China's national culture. In the new era, we should actively establish awareness of the protection of ethnic music culture, improve our cultural literacy, combine the trend of the times and reform and innovation, and seek important opportunities
for the development of national culture. National music culture is the spiritual wealth of our country. We should explore the cultural connotation in music culture, inherit and develop. In the era of informationization, all kinds of ideological and cultural intertwined, in order to effectively avoid the weakening and loss of national music culture, we must correctly understand the national music culture, use information technology to improve and innovate, and highlight the national music in the creation of national music. The dominant position of culture. At present, China's culture presents a diversified development trend. People's demand for national music culture is gradually changing. Most popular music is integrated into traditional style. Therefore, in the process of singing music, traditional singing techniques and new singing techniques can be combined to transform the tradition. The national culture is combined with modern production and life. For example, Jay Chou's "Blue and White Porcelain" and "Compendium of Materia Medica" reflect the integration of traditional music and Chinese customers. Wu Kequn's "General Order" songs are used in a series of folk instruments such as erhu, guzheng and pipa. It blends with modern instruments to express a different flavor. Wang Li-hong's "In Meibian" combines the Huangmei Opera with the Peking Opera aria, a first piece of music, which is like a unique Chinese painting. It has no rigid writing, but it highlights the thoughts and emotions. Without deliberate depiction, it can narrow the people to the nation. The sense of distance in music culture eliminates the strangeness of traditional music and folk music culture.
(4) Strengthening ethnic music education and improving the quality of national music culture
China is a multi-ethnic country, and national music culture represents the characteristics and connotation of national development. Based on the constant exchange of various information cultures under the Internet era, the world culture continues to blend and collide, and the traditional national music culture status is gradually weakened. Some people ignore the value and role of national music culture. Therefore, in the new era, in order to further promote the national music culture and integrate the world art, the United States must pay full attention to the development of the national music culture and the future development group. Young people are the hope of the future of the motherland and the successor of the socialist cause. They play an important role in the promotion of national music culture. Therefore, we must pay full attention to the importance of national music education and effectively infiltrate the national music culture in the process of education and teaching. To improve the national music culture and literacy of young students from the subtle influence, it will help to lay a solid foundation for the national music culture. Through strengthening education guidance, improve the recognition of young students' national music culture, set up national music culture courses in schools, integrate ethnic music culture into the education system, and hold national music culture courses, national music collection activities, national musical instrument training courses, etc. Wait, create a good atmosphere for young students to learn about national
music culture. In order to create a relaxed and pleasant cultural learning environment, large and small classrooms can be effectively integrated in the daily education and teaching process. Through small classroom teaching and centralized guidance, it helps to improve the quality and efficiency of national music culture teaching. Classroom teachers hold a variety of extracurricular activities, holding national music appreciation lectures and music culture knowledge lectures, national music interest activities, etc., infiltrating the national music culture into the daily life and learning process, creating a relaxed and pleasant development atmosphere for students. It will help students to penetrate folk music and explore the diversified development of national music culture, thus improving their overall comprehensive quality.
Conclusion
In summary, we can see that while carrying forward our country's national music culture, we must correctly understand the diversified characteristics of world music art, strengthen the effective integration of national music and world music art, and build an open national music environment. To establish national self-confidence, stimulate national self-esteem, and effectively improve China's national characteristics can also
promote the better inheritance and development of China's national music culture. Therefore, we must correctly understand the connotation and ideological value of the national music culture, effectively absorb the development advantages of the Western music culture, strengthen the effective integration of the two, and play the symphony of the art sings with the times.
References
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2. Ma Dan. Music Education and National Music Inheritance [J]. Yalu River (the second half of the month), 2016 (3).
3. Zhao Yinping. Cultural Confidence---The Issue of the Times Put forward by Xi Jinping [OL]. Xinhuanet, 2016-08-05.
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ON THE ARTISTIC PERSONALITY AND CHARACTERISTICS OF CHINESE NATIONAL MUSIC
ZuoPei Cheng
Candidate of sciences Ukrainian National Skavoro German Normal University
directing professional art
Abstract
China is a multi-ethnic country with 56 nationalities each with its own characteristics, while the history of national music has a long history, with unique artistic features and aesthetic qualities. China's national music presents its characteristics, its styles are diverse, its forms and genres are rich and colorful, and it has strong inclu-siveness and development. In the process of historical development, ethnic music can maintain a high degree of consistency between aesthetic traits and artistic features. The main reason is that Chinese national culture can correctly understand the connotation of national music art. On this basis, this paper briefly analyzes the artistic personality and characteristics of Chinese national music, and hopes to effectively promote the sustainable development and innovation of national music culture, and truly highlights the unique artistic quality of Chinese national music.
Keywords: ethnic music, artistic personality, traits, diversity, inclusiveness
First, the concept of Chinese national music National music refers to the national music of a certain nation or country that is unique in its historical development and has artistic and humanistic attributes. National music includes not only local and folk music and traditional works, but also folk music pieces or elemental music works, vocal works created according to folk music specifications or forms. The national music mentioned in this article refers to Chinese national music. The Chinese folk music has different styles and various types, and has a long history of development. Combined with the concept of folk music, we can divide our national music into two parts: 1. Traditional folk music includes traditional opera and folk songs, folk art, dance music and instrumental music, and rap-style music art form. For example: two-person turn, Beijing opera, Yue opera, Pingju, etc., Taiping lyrics
and Suzhou Pingtan, Jingyun drum and so on. 2. National music works combining traditional Chinese music tracks and creative elements, traditional music forms and specifications. Wang Luobin is known as the western song king Robin's music works, with strong representativeness. Wang Luobin especially loves Xinjiang music art, and has created a large number of classic vocal works according to Xinjiang folk songs, such as "Pick up your hijab", "In that Distant place, "Youth Dance." According to the above many characteristics, Chinese folk music has strong aesthetic characteristics and artistic characteristics.
Second, the characteristics of Chinese national music art
(1) Inclusiveness
Chinese folk music has artistic characteristics and strong individuality. The main reason lies in its development and strong glory. Whether it is drama, folk
