0Chirchik State Pedagogical University Current Issues of Modern Philology and Linguodidactics
Staatliche Pädagogische Universität Chirchik Aktuelle Fragen der modernen Philologie und Linguodidaktik
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HUMOR AND SATIRE IN W. SHAKESPEARE'S COMEDIES
Giyosjon Ilyosjon ugli Abduhamidov
Chirchik state pedagogika university Tourism faculty Foreign language and literature: English Email: giyosabduhamidov 1 gmail.com
Nargiza Farhod kizi Tulyaganova
English teacher, Chirchik state pedagogical university
ABSTRACT
In William Shakespeare's comedies, humor and satire intertwine to entertain audiences while offering incisive commentary on society. Through clever wordplay, mistaken identities, and physical comedy, Shakespeare's characters navigate love, social hierarchies, and human folly with wit and insight. Satirical elements critique societal norms and institutions, revealing the absurdities of courtly life, gender roles, and marriage. Through irony and satire, Shakespeare's comedies engage audiences in laughter while challenging them to reflect on timeless themes of human behavior and societal conventions.
Keywords: social hierarchies, gender roles, comedies, irony and satire.
William Shakespeare, baptized on April 26, 1564, in Stratford-upon-Avon, Warwickshire, England, is considered one of the greatest playwrights and poets in the English language and the world's preeminent dramatist. He was the third of eight children born to John Shakespeare, a successful glover and alderman, and Mary Arden, a landed heiress. Little is known about Shakespeare's early life, education, and personal life. He likely attended the King's New School in Stratford, where he would have received a classical education focused on Latin literature and rhetoric. At the age of 18, he married Anne Hathaway, with whom he had three children: Susanna, and twins Hamnet and Judith. Around 1585, Shakespeare moved to London, where he began his career as an actor and playwright[1]. He quickly gained recognition for his talent, and by the early 1590s, he was writing plays for the Lord Chamberlain's Men, one of the most prominent acting companies of the time. Shakespeare's works are categorized into three main genres: tragedies, comedies, and histories[3]. His tragedies, such as "Hamlet," "Othello," "King Lear," and "Macbeth," explore themes of ambition, betrayal, and the human condition. His comedies, including "A Midsummer Night's Dream," "Twelfth Night," and "Much Ado About Nothing,"
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International Scientific and Practical Conference
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Current Issues of Modern Philology and Linguodidactics Aktuelle Fragen der modernen Philologie und Linguodidaktik Zamonaviy filologiya va lingvodidaktikaning dolzarb masalalari
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often involve mistaken identity, romantic entanglements, and witty wordplay. His historical plays, such as the "Henriad" (which includes "Henry IV, Part 1," "Henry IV, Part 2," and "Henry V"), depict the rise and fall of kings and the political intrigues of medieval England[4]. In addition to his plays, Shakespeare wrote over 150 sonnets, which are considered among the finest in English literature. His works have been translated into every major language and adapted into numerous films, plays, and other forms of art.Shakespeare retired to Stratford-upon-Avon around 1613 and died there on April 23, 1616, at the age of 52. He was buried in the Holy Trinity Church in Stratford, where his grave remains a popular tourist attraction. Despite his relatively short life, Shakespeare's legacy endures, and his works continue to be studied, performed, and celebrated around the world.
When it comes to humor and satire in W. Shakespeare's comedies. Humor and satire play crucial roles in William Shakespeare's comedies, adding depth, entertainment, and social commentary to his plays. Shakespeare's comedies are renowned for their clever wordplay, puns, and witty dialogue. Characters often engage in repartee and verbal sparring, showcasing their intelligence and humor. Examples include the banter between Beatrice and Benedick in "Much Ado About Nothing" and the playful exchanges in "Twelfth Night." Many of Shakespeare's comedies involve mistaken identity, where characters are confused about each other's true identities, leading to humorous situations. For instance, in "Twelfth Night," Viola disguises herself as a man, leading to mistaken identities and romantic complications. Shakespeare often employs satire to critique societal norms, institutions, and behaviors. Through exaggerated characters and situations, he exposes the flaws and absurdities of society[5]. For example, in "As You Like It," the character Touchstone serves as a satirical commentator on courtly life and manners. Shakespeare's comedies frequently feature physical humor, including slapstick comedy, sight gags, and comedic gestures. These elements appeal to both the intellectual and visceral senses of the audience. Examples include the antics of the mechanicals in "A Midsummer Night's Dream" and the comic mishaps in "The Comedy of Errors." Shakespeare employs irony and satire to comment on themes such as love, marriage, gender roles, and social class. For instance, in "The Taming of the Shrew," Petruchio's treatment of Katherine and the societal expectations of women are satirized, challenging traditional gender roles. Overall, humor and satire are essential components of Shakespeare's comedies, adding layers of complexity and entertainment while also providing insightful commentary on the human condition and society.
360
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April 23-24, 2024 International Scientific and Practical Conference
Chirchik State Pedagogical University Staatliche Pädagogische Universität Chirchik Chirchiq davlat pedagogika universiteti
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Current Issues of Modern Philology and Linguodidactics Aktuelle Fragen der modernen Philologie und Linguodidaktik Zamonaviy filologiya va lingvodidaktikaning dolzarb masalalari
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REFERENCES
1. Bart van Es "Shakespeare's Comedies: A Very Short Introduction" Oxford University Press.2016
2. Susanne Greenhalgh and Joseph Lavery "Shakespeare and Comedy". 2013
3. C.L. Barber "Shakespeare's Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom" Princeton University Press 2014
4. Maurice Charney "Shakespearean Comedy" The Macmillan Press Ltd 1972
5. Meredith Anne Skura "Shakespeare's Comic Theory" University of Michigan Press
1991
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