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113 BEAUTIFUL SCHOOLS OF UZBEK NATIONAL DANCE ART
Zarina Amonturdiyeva Uzbekistan State Academy of Choreography
Abstract: The Uzbek national dance is extremely expressive and embodies all the beauty of the Uzbek people. The main differences between Uzbek dance and other dances of the peoples of the East are, firstly, the emphasis on complex and expressive hand movements, and secondly- rich facial expressions. There are two types of Uzbek dance - traditional classical dance and folk (folklore) dance. Classical traditional Uzbek dance is an art that is cultivated in special dance schools, and then demonstrated on a large stage. There are three schools of Uzbek dance: Ferghana, Bukhara and Khorezm. Each of these schools has its own unique features, aesthetics and choreography.
Keywords: choreography, millir dance, tradition, movement, posture, composition, rhythmics, circle riddles, dance schools.
Almost all regions of the country are represented in Uzbek folk dance, there is an extraordinary variety here. These dances come to life on all family, village, city holidays. These dances are passed down from generation to generation, they preserve ancient dance traditions, as well as real or outgoing life.
You can see Uzbek dances at various cultural events in the cities of Uzbekistan, and, for example, during the folklore show at the Nadir Divan Begi madrasah (Bukhara), which is held almost daily during the tourist season. And also, you can get acquainted with the history of Uzbek dance in the museum of Tamara Khanum, who was a symbol of choreography in Uzbekistan.
Khorezm dance
The main difference between the dances of Khorezm from other regions of Uzbekistan is the stormy energy, the delight of life and a bright temperament. The traditions of Khorezm dance date back hundreds of years, and are preserved to this day. The philosophy of this dance is to express love for life, nature and work, which is reflected in the choreography: gestures imitating the world of animals and birds, movements similar to working and everyday ones are characteristic here. One of the properties of Khorezm dance is sharpness and some pauses in poses. A characteristic difference from the Bukhara and Ferghana schools is that there are practically no rotational movements in Khorezm. The most famous and popular dance of Khorezm is "Lazgi", which is close to the famous Lezginka.
Bukhara dance
Bukhara dances are similar to Khorezm dances in many ways - there is also energy and passion here, but the dancers' movements are completely different. Here you can
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see an amazing combination of primitive forms of dance with graceful movements: plastic swaying, slow rotation, etc. replace the sharp movement. One of the features of the Bukhara dance is the emphasis on the upper part of the body: arms, shoulders, neck, chest. And also, sometimes Bukhara dancers use two additional simple musical instruments during their performances - "kayraki" (metal plates somewhat similar to castanets) and "zangi" (spherical bells that are worn as bracelets on wrists and ankles).
Ferghana Dance
Lyrical, soft, plastic - this is how you can describe the Fergana dance. During the performance of this dance, smooth movements of the hands, playful movements of the head with a flirtatious look prevail. Unlike Khorezm and Bukhara, where there is strict adherence to choreography, improvisation during dance is popular in Fergana. However, there is a special rule: here it is customary to keep the hands turned up, whereas in other dance schools, the palms can be in any position. Also, unlike imitations of the animal world in Khorezm dances, Ferghana dances depict human relationships, and mostly lyrical and romantic.
Preservation of dance directions in all regions of our country, avaylash, a modern Uzbek dance school that gives aesthetic pleasure to our people great importance is attached to such issues as creation. Bukhara dance art is a kind of typical urban art, in this area countless Tajiks, Uzbeks and Bukhara Jews who lived in ancient times having absorbed his dances. It is also a musical-vocal art and most importantly, both with the characteristics of the Fine Arts and the art of architecture harmonized. Bukhara dances are emotional, energetic, ambitious having a feature, the movements are clear, clear, agile. The body in it his movements are characterized by sharp and at the same time artistic. Hand cases bright, sharply "dry" or gently flexed, at an exaggerated pace.
The performer often faces her head up, throwing her shoulders back, as if her face, as if absorbing the sun's rays with movements of the arms, shoulders, chest imagination Awakens. Sa'dulla in the preservation of the traditions of Bukhara dance art Sadullayev (1883), Tajiddin Sabirov, Bibishirin Mamanova (1872), Chervonkhonim, Hurricane (1926), the services of Oliyahan Khasanova are great.
According to Rozia Karimova "Bukhara dances are pictorial non-completion of unique and dynamic situations of action flow, many times rotation in one place, slowly, gently" stretch "5 turns are a circle, a straight path and winding turns diagonally." Bukhara dance cases and flexible body that have reached the present day the technique of unique appearances in his movements is incredibly complex, requires special skills from the learner. Isokhor Akilov in the delivery of the Bukhara dance school to the next generation, Activities of Margarita Akilova and the region, Zulaykho and Lola Akilova, a series of dance works imbued with the spirit of their deep vitality of our people having an important place in his spiritual growth, he gained great educational significance. his tutorial will help you create a new generation of educational literature
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prepared on the basis of the requirements set forth in the instruction manual of Uzbek dance Theoretical and practical foundations of the Bukhara dance school, methods of action lit. Educational guide of the State Academy of choreography of Uzbekistan students, special art schools, teachers of the school of music and Arts, and designed for all interested people.
The subject "Uzbek dance teaching methodology" is closely related to other disciplines related is considered an independent part of the art of choreography. "Uzbek during the study of the subject" method of teaching dance students Fergana, Bukhara. The emergence, history and history of Khorezm, Karakalpak, Uyghur dance schools they will have an idea of the stages of development. Musical and choreographic they get to know examples of creativity better. This tutorial is from Uzbekistan The state Academy of choreography is targeted for second-year students students receive theoretical, practical knowledge from him and have methodological practice use for the purpose of being. Through this guide, the student will learn the "circle lesson" technique of studying the movements of the lesson, the structure of the lesson and Etudes staging, terminology of the actions of the Bukhara dance school, hand and leg positions, lesson structure style, lesson musical decoration, movements can know and use the distribution.
References
1. Авдеева Л. «Узбекистан ракс санъати» Изд. Бадиий адабиёт, Т.: 1960
2. Каримова Р. «Хорезмский танец» - Изд. Литературы и искусства им. Г.Гуляма, Т.: 1975.
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