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7THE ROLE OF IBRAHIM YUSUPOV IN UZBEK CHOREOGRAPHY
Risolat Bahodir qizi Axmedova risolataxmedoval [email protected] O'zbekiston davlat xoreografiya akademiyasi
Abstract: This article examines the life and work of the People's Artist of Uzbekistan Ibrahim Yusupov, his role in Uzbek choreography, his choreographic style in staging world and Uzbek ballet performances.
Keywords: choreographer, dramaturgy, libretto, playwright, exposition, connection, culmination of dance, decision, make-up, comprehension
Today, ballet artists, choreographer-tutors, ballet masters operating in the state academic great theater named after Alisher Navoi, including teacher I.Under the leadership of Yusupov, the theater team, working together, preserved the traditions of the teacher - shogird, I.Continue the school of ballet created by Yusupov and his creative heritagetirib work tirelessly as a worthy follower, achieving many successes as opposed to his creative search.
Ibrahim Yusupov's sharp optimism in nature, his non-stop and constant presence in life, led to his approach with special responsibility to his profession. Ibrahim Yusupov devoted his life to ballet art for more than sixty years, he went through a huge successful path from the choreographer Ballet soloist in muobayn of that period, to the level of the chief ballet master. During his ballet career, many of the world's classical masterpieces were animated on the Uzbek ballet stage. From the sentence of ballet works shular" snowman"," beautiful in sleep"," Giselle". Also I.On the initiative of Yusupov, ballet works such as "Spartacus" and "Ta'maris", together with the theater troupe, have repeatedly demonstrated the art of Uzbek Ballet in foreign countries. And he himself did not cease to invent innovations from the creative search. During his time, the main structure of the troupe of the Alisher Navoi state academic great opera and Ballet Theater Ibrahim Yusupov school improved their skills of knowledge. Under his leadership, they formed their creative abilities, demonstrating their creative skills and capabilities.
"The years of development of ballet art in our republic coincide with the period of development of world-wide discoveries in the field of Science and technology. Yusupov also in his choreographic works constantly searches for new means of expression, new forms of dance with a craving for expression of the dynamic weights of the time, the kick of the heart, with a fondness from the ballet classics. Already, classical dance is a winding of ballet art. Professor Yuri Grigorovich said about this:"a ballet dancer who does not know the thoughtful, eye-catching secrets of
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classical dance perfectly, who has not mastered his technique deeply, can never say in modern ballet his bright, unique, lively and waving word."
Ibrahim Yusupov's childhood coincided with the most difficult periods in the history of our country. Ibrahim Yusupov was born on March 5, 1935 in the city of Urgench, Khorezm region, in a working family . When his mother died, he was only five years old, after which Abraham began to live in Tashkent under the care of his aunt. Later, she was brought up in one of the children's homes in Tashkent City. The subsequent difficulties of the war period did not hamper the creative environment that reigned in the children's home. As a rule, due to difficult conditions, it was not possible to widely celebrate holidays, despite this, the orphanage educators actively participated in memorizing poems, performing small theatrical scenes, music and dances. The visit of the guests to the House of Mercy in 1950 year was one of the important meetings in the life of Abraham. It is worth noting that three years before the events described - the ballet school, which was founded in 1932 on the initiative of Tamarakhonim in Tashkent, will be transformed into the country of knowledge of Uzbek choreography in 1947. Zinayida Nikolayevna Afanasyeva (1907-1975), a graduate of the St. Petersburg choreography Knowledge Institute, was appointed the first artistic head of a new educational institution. Zinaida Nikolayevna Afanasyeva -Agrippina Yakovlevna Vaganova was a singer and follower of her pedagogical system, made a significant contribution to the development and introduction of the methods of teaching classical dance. At the end of 1949 on the initiative of Zinayida Nikolayevna Afanaseva, who was at that time a leader in the art of choreography of Uzbekistan, was formed a group of choreographers and pedagogues in order to qualify talented children for admission to the educational institution. This group was in three children's homes in Tashkent City and as a result of the first qualifying stage selected 30 children with choreographic education. As a result of repeated selection, only five out of 30 selected children were left.
These were Ibrahim Yusupov, fearless Sagatov, Ravil Sadigov, Vova Nasirov, Hayriddin Fayozev.
After the end of the qualifying stage, the boys who passed the competition were transferred to the 20th orphanage, which is the first orphanage in Uzbekistan. There, young dancers were trained together with talented musicians, artist peers. The first director of this children's house was Orenburg Mikhail Solomonovich, who always took care of them, knowing that the orphanage was their own child. This human memory occupied a place of eternal warmth from the hearts of the murky infant. Mikhail Orenburg was able to realize the creative potential of young talents thanks to his hard work and high pedagogical potential in the production and demonstration of their creative abilities. The former educator of the 20-th orphanage Q.S.According to sagatov " " in those years, along with Tamarakhonim, Mukarrama Turgunboyeva, a
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talented representative of the Russian classical dance school, a former soloist of the Marinsky Theater in Petersburg and a pedagogue Ekaterina Obukhova, participated in the creative evening of the dance in the orphanage. With their effective creative activity, the formation of choreographic vocational education, folk dances and in particular ballet art took place in Uzbekistan. During the 1920-1930-ies, most of the Masters performed dances in ballet performances of the Russian opera theater in Tashkent, gaining extensive experience of their creative activities. They have become not only talented masters of choreography art, but also true enterprising leaders in the search for talented young generations. I.The first coaches and teachers of the choreography land of knowledge - A.Yusupov opened his creative potential.M.Sabo and E.P.Novikov took a big place. As a result of the lessons he received from his teachers, he studied with interest the peculiarities and expressive means of his traditional schools. Formed as a professional artist of the ballet, he meticulously mastered all the elements of artistic complex movement of classical dance and was ready to show vivid, remarkable choreographic images on the ballet stage"
"I.Yusupov has one more important professional qualities. This is a culture of choreographic thinking, which is considered an artistic taste andosis. This was achieved by the choreographer during long searches, exercises. Ballet lovers know Ibrahim Yusupov well as a wonderful dancer. He dreamed that he would go deep into the image of the hero, creating a unique style of performance, climb to the High stages of soloist art, which captivated the audience. After working for several years in the ballet troupe in the theater named after Alisher Navoi, he jumped to Moscow in 1950 year. He studied at the ballet Faculty of the intituty of theatrical art. A famous ballet dancer, people's artist of the RSFSR, doctor of art studies, professor Rostislav Zaharov studied at the hands. The teacher was pleased with shogird's calm and calm, aspiration and diligence.
Ibrahim Yusupov stepped on the stage of academic theater after graduating from the land of knowledge of choreography in 1955 year. Having fulfilled his dream, he became a ballet artist of the Alisher Navoi State Academic great opera and Ballet Theater. Young ballet artists Galiya Izmaylova and Mikhail Satunovsky were the first ballet masters of the theater. As a result of diligence, soon after the break, he became a solo soloist and played leading parties in the ballet performances of the acting repertoire. Among the choreographic images he performed in classical and national ballet performances, Albert skillfully raved such images as in "Gisele", in "Zvezdich"Masquerade", in"Batur "Arzu", in "Akkush Lake", in "Legend of bamboo", in "Shopenians", in "soloist", in "Spartacus", in "Carmody". In these ballet performances Ibrahim Yusupov was accompanied by masters of performing arts such as Galiya Izmailova, Bernora Koriyeva, Gulnora Mavayeva, Valentina Proskurina, Seville Tanguriyeva. In 1957, Ibrahim Yusupov, together with the creators of the
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theater troupe, took part in the Moscow All-World Festival of student youth. Thousands of tamoshabins, representatives of different nationalities participating in the festival, illik, took part in the ballet performance with his participation. For his active participation in the festival and high performance I.Yusupov was awarded a gold medal. Two years later he was awarded the medal "veteran of Labor" for his selfless services in ballet art. This dream of him became the impetus for the fact that in 1959 he became a student of the ballet direction of the Moscow State Institute of theatrical art. In his time, Ibrahim Yusupov had such an answer to the question of what caused his desire to master the art of ballet. "I do not hide, despite the interesting wonderful performances, I always appreciate that the path of dance art is not continuous. Of course, there is still much to spend, but I can not influence my life without theater, without my own art. I wanted to study to gain more knowledge about my profession, so I had to act again in the role of a student."
Ibrahim Yusupov at the Moscow State Institute of theatrical art studies the secret-sinoations of the art of ballet for five years from the outstanding pedagogue Rostislav Vladimirovich Zaharov, who has deep knowledge, skills. In Moscow, last year for a young choreographer received a high school of professional skill and a high level of knowledge, skills in future staged ballet performances. Ibrahim Yusupov, together with his fellow students, visited with great interest such performances as ballet, opera, drama and musical-drama, which are performed on the stage of Moscow theaters. In the process of obtaining training I.Yusupov was able to observe the lessons, participate in the training of new performances staged by prominent figures of the industry, and studied the creatively overcrowded experiences of choreographer pedagogues.
In practical and theoretical training at GITIS, Ibrahim Yusupov considered the rules of the art of the ballet, the disciplines of choreography, the methodology of teaching, the manifestations of the history of world and Russian choreographic art -outstanding composers, ballets, choreographers, ballet artists, senographers studied their creative work with great enthusiasm.
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