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10ISOHOR AKILOV'S CONTRIBUTION TO THE UZBEK NATIONAL DANCE ART AND FOUNDED THE BUKHARA DANCE SCHOOL
Sardor Batirovich Sadinov Uzbekistan State Academy of Choreography
Abstract: Bukhara dance art is a kind of typical urban art, in this area countless Tajiks, Uzbeks and Bukhara Jews who lived in ancient times having absorbed his dances. It is also a musical-vocal art and most importantly, both with the characteristics of the Fine Arts and the art of architecture harmonized. Bukhara dances are emotional, energetic, ambitious having a feature, the movements are clear, clear, agile. The body in it his movements are characterized by sharp and at the same time artistic. Hand cases bright, sharply" dry " or gently flexed, at an exaggerated pace. The performer often faces her head up, throwing her shoulders back, as if her face, as if absorbing the sun's rays with movements of the arms, shoulders, chest imagination Awakens.
Keywords: Lazgi, zangi, beshkarsak, dance, move, Khorezm, Bukhora, national.
Rock found in the territory of Central Asia, including Uzbekistan images, archaeological finds from the fact that dancing here is a very ancient art testifies. Dance as early as the era of the Zoroastrian holy book Avesto to develop in two directions -folk and professional dance, the art of which is formed there is historical information about the entrance. Also different progress dance and games in our country in stages as a result of their influence on each other Such as "beshkarsak", "big game", "Lazgi", "ship game", "Ashshadaroz" ancient games arose. Dance art by the 20th century Bukhara dance, Khorezm dance, Fergana dance formed in the direction and processed based on modern stage requirements it developed as a stage folk dance. Each of these directions is a century during the passage of several historical stages, the shape of its form, to the content of was able. A number of state and folk dance teams have become known worldwide. Uzbek national dance art has historically come a great way, its ancient roots go back to folk plays and performances. Uzbek by The XX century dance art, along with its ancient traditions, was formed on a world scale on the basis of new experiences, he went on the path of development. People's perennial national dance art experiments with European-style stage culture requirements coordinated. Our national heritage while preserving many years of tradition on the basis of new artistic principles, he went on the path of development. National Today in addition to continuing its many years of tradition, our dance art showing new experiences as well as creative principles. As you know, the development of dance art is associated with professional personnel. Such highly qualified and for the training of personnel, the further development of dance education, the world it is necessary to reach the level of templates. At the
beginning of this work, the National Youth to educate in the spirit of traditions, to them the history of hereditary dances, roots, originality teaching as a value as important concepts as aspects, passing through teachers perception of the basics of the coming dance, artistry, imagery, semantics of behavior there are such important tasks as developing a sense of fulfillment. Nowadays-Fergana, Khorezm and Bukhara dance schools art such is the National Uzbek dance art, which is developing on the basis of its styles it is our cultural heritage that covers qualities. Each dance school has its own charm, it has its own direction, differing from each other in character, style, appearance. Bukhara dance school differs from other dance schools to Khanate it is characterized by being connected. As we see this dance, we see a dance composed of movements that are performed in a dance with heavy weight or with extreme intensity, wide execution, sewing of their dresses in gold color with the art of Sericulture with is separated from other dance arts. The dances in the style of the performance belong to the Bukhara Khanate movements i.e. the vigarli (aristocracy) is performed by movements. The centuries-old rich heritage of Uzbek folk dance art and its originality National features of isohor Akilov as skillful dancers and balletmeysters played an important role in the occurrence. Contemporary national dance staging and the balethmeisters are at the same time with the creative use of the traditions of the past they enrich and progress the heritage. Skilled dancer and ballet master Isohor Akilov belongs to the second generation of Uzbek dance masters. His soul temperature, strength, conscious life, rich experience, knowledge and Isohor, who devoted his talent to the path of the flourishing of Uzbek dance art Akilov is respected, respected and admired by hundreds of viewers reads. The audience is in the distant districts and urban centers of our country, with naturalness, nationality, attractiveness and deep philosophical content charmed the audience for years. Different nationality, social it is also Isohor to be able to skillfully reflect the nature of dances belonging to the era Akilov is considered one of the qualities that give glory to his amazing art. Like all the artists of the theater, he plays dramatic roles, says the "LAPAR" and falls into the game. With the master scientist Tamarakhonim zeal in this young man, it is worth noting the passion, his ability to quickly learn dance rhythms and make movements very clear and seeing her performing beautifully, they become interested and accept her into a dance studio. In the studio Isohor Akilov showed all the methods of "big game", in a small form learns all the secrets of dances and genre dance scenes. But most importantly-absorbs the laws of the structure of mass dances. After that Akilov begins to be interested in the work of putting dances on stage. Isohor Akilov in addition, from independent dance nomers at concerts In the musical comedy "Komsomol", "Arshin Mal-olon" Halima Rachimova and Mukarrama, together with Turgboyeva, plays the dance "Lazgincha", She also dancers in the landscape "Rizovarchi".
Isohor Akilov in his youth teachers who received education-Gavriel and Mikhail Mulloqandovs, Mikhail Tolmasov and he continued to study folk dance methods and variety from others. "Bukhara yor-yor", a variety of mavriki dances played with the accompaniment of songs are these it is from the sentence. Young dancer of the Jewish musical drama theater in Samarkand in 1932 appointed as leader. Isohor Akilov is also closely involved in the organization of this theater had helped. In the theater, he works as a director, ballet master, dancer. Since 1933, Isohor Akilov has been a member of the local Jewish state musical theatre dance for the first time for his team, the dances that are played by the majority are performs. These are "Ghunu chin" (eight performers) "Giryon Kazakh" (two performers), "Komsomol game" (four performers), "Budyonny dance" (eight performers), "Osmania" (three performers) and so on. Solo soloist-dancer and dancers for "Andijan Sky", "Abdurahmonbegi", "Guluzorim", "Yalla", "Ufari he also performs dances" victorious, "Mirzodovat", "Qashqarcha". Two years later, he got a job at the Stalinabad musical drama theater named after Laxuti he is sent and works as a ballet master and dancer there. Isohor Akilov To stage dances in several performances of the Samarkand and Stalinabad theaters puts. Isohor Akilov worked in the Tashkent musical theater in 1932-1933 he continues to receive dance education even during his time. Here is this theatrical dance in his Collective, his ballet-master skills begin to be seen. Initially he Fergana dancer father Khukha's very fast and beautiful performing sharp (round) diligently studies his movements. He later performed this "Charx" dance with a circle, the dancer will postanovka in accordance with his performance, and then the circle and another dance in which the dancer performs a duet is the Samarkand dance "Tsar's applause" also staged.
In 1935 Isohor Akilov together with the Bukhara Jewish Theater He worked in Tajikistan. Here she is accidentally with her Tajik dancer boyfriend Sang Ali get acquainted. Sang Ali most Tajik dances movement and their methods he knew perfectly, and he himself skillfully performed these dances. Isohor Akilov Of Tajik people from teachers and some artists until they went to Tajikistan he has heard about his dances many times. Now it is a complex sacrament of Pamirs a Kulobi dance, performed in a special rhythm of movements, sharp, but light the dance of kokhistan, Punjabi and Shughnon, which falls under the circle saw with his eyes.
Isohor Akilov in December 1939 all-union variety orchestras participated in the concourse and singer for his skillful performance in national dances K.Shulzhenko and master of words Arkady Raykin with the same concourse award in the series awarded.
Isohor Akilov from August this year to February 1940, namely in the construction of the Great Fergana canal for more than half a year, Among the sailors of Kronstadt, along the Tajik and Fergana Valley he participated as a dancer-soloist in the Tour concerts held. At the end of 1941, Isohor Akilov with an ensemble headed by Tamarakhanim Bukhara, Termez, Karshi were in the cities, and in 1942, at concerts
shown to the fighters of the Baku, Tbilisi, Yerevan and the Black Sea military fleet demonstrated skill. Thus, as a result of the artist can see, learn dances of different peoples dancer-honed the skill of balletmeister, New-new the treasure of dance art enriched with masterpieces. Isohor Akilov on the staging of new dances for five years research was carried out. He is a teacher at the Samarkand Theater Studio A.K.Beck and Master The dances he learned from the scientist were now beginning to be sahnalshtir himself. He Bukhara she created new dances based on shoshmakomi tunes. "Qashqanchan Novice", "Ufari Navo", "Savti novice", "Ufari novice", "Sagiynama", "Ufari Segoh", "Chapandoz" status paths such as single and group playable melodic method source will take the function. It should be said that in those years a clear program for dance ensembles no, how to look for a new dance repertoire, which for the viewer of the era those who cannot correctly imagine even the need to put dances in character there was no. Isohor Akilov to enrich the art of dance, first of all, Uzbek folk music he found it necessary to refer to his folklore. Chunonchi, he is in the Bukhara rush the dancer in the singing part chose melodies. Artist, especially baletmeister Isohor That Akilov should look for new means of expression, at the same time, every dance to strain the force of influence of the nomeri, make the viewer laugh, rejoice, a deep sense of the need to attract more fans to dance parties in general he would. Along with the baletmeister concert program in Bukhara and Samarkand he also stages dances in the theater. "Farhad and Shirin", "Arshin Mal-Alan" in landscapes like the stage, theop creates a combination of dances. Uzbek State Philharmonic Society I. Akilov Bukhara dance staging he is appointed as the baletmaster on duty. In 1944, Isohor Akilov entered the Tashkent Choreographic School only recently Galia, a young dancer who graduated and began working at the Uzbek State opera and Ballet Theater Izmailova is taught the dance "Larzon" in Bukhara. Isohor Akilov at the All-Union fizkultura parade in Moscow in 1946 He also participated in the preparation of a special program with the participation of 400 performers. In this he Uzbek had staged the dance. In 1947, the artist was newly founded he worked as a ballet master and soloist of the Uzbek Pop Team. Isohor Akilov before that performed dances of the peoples of Central Asia or limited to staging, now it is Russian, Belarusian, Ukrainian and he was also able to get to know the dances of other peoples better. In each dance staged by Isohor Akilov, dancers and actors have their own it is he who makes his art reach and wave the heart of the modern spectator they consider art, they are proud of it. The artist as a ballet master not limited to staging or teaching dances, the new postanovkas are tireless on creating and directing the script he was watching. Isohor Akilov experiments in the genre of Uzbek national dances quite enriched. Lyrical about the comedy genre in his ballet-masterful work genres in the plan occupied more space.
Bright images from the dance performers of the skillful ballet master Isohor Akilov work tirelessly to create, improve skills, and always be on the lookout he was
demanding. The baletmeister always gave the aesthetic taste of the audience of the era a new repertoire that cultivates the tan, while he himself works in staging, more and more young people were working on it. Because it represents the dance art of young people it was believed that they could enrich themselves based on classical traditions, climb new heights. Isohor Akilov can be called an innate seeker of the art of choreography. He is always with the search for new shapes, methods and styles, as well as new images busy. Ballet master vocal the existing range of choreographic art, his quest for expansion through the introduction of instrumental and poetic manifestations was sought. Isohor Akilov from folk music, professional when performing dances composers widely used his work; Dance "Shodlik" in Bukhara begins with the Rock method of haste, followed by the ancient Uzbek folk from his songs go to the song "Hay-yor-yor", Sayfi Yuldashev. The melodies "rest", "melody of happiness", "beautiful girls" are also different dance names became a source in its creation. And in the dance "free time", from four Uyghur methods used, the 1960s variant of the dance "Shodlik" by Bukhara mavrigisi tunes-dances based on singles "Mahma Hasanjan", Aspanjayiman staged.
References
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