Научная статья на тему 'LANGSTON HUGHES: CHAMPION OF THE AFRICAN AMERICAN EXPERIENCE IN AMERICAN LITERATURE'

LANGSTON HUGHES: CHAMPION OF THE AFRICAN AMERICAN EXPERIENCE IN AMERICAN LITERATURE Текст научной статьи по специальности «Языкознание и литературоведение»

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Ключевые слова
Langston Hughes / poetry / Harlem Renaissance / African American experience / social activism.

Аннотация научной статьи по языкознанию и литературоведению, автор научной работы — G’Iyosjon Ilyosjon Ugli Abduhamidov, Nargiza Farxod Kizi Tulyaganova

An influential luminary of the Harlem Renaissance, Langston Hughes left an indelible mark on American literature through his poignant poetry that celebrated the African-American experience. His verse, renowned for its simplicity, vivid imagery, and rhythmic language, authentically captured the essence of African American life, delving into themes of identity, injustice, and the unyielding pursuit of equality. This article elucidates Hughes' profound impact on American literature, highlighting the enduring resonance of his evocative poetry.

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Текст научной работы на тему «LANGSTON HUGHES: CHAMPION OF THE AFRICAN AMERICAN EXPERIENCE IN AMERICAN LITERATURE»

Chirchik State Pedagogical University Current Issues of Modern Philology and Linguodidactics

Staatliche Pädagogische Universität Chirchik Aktuelle Fragen der modernen Philologie und Linguodidaktik

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LANGSTON HUGHES: CHAMPION OF THE AFRICAN AMERICAN EXPERIENCE IN AMERICAN LITERATURE

G'iyosjon Ilyosjon ugli Abduhamidov

Student, Chirchik state pedagogical university, Uzbekistan E-mail: giyosabduhamidov 1 @gmail.com Scientific adviser Nargiza Farxod kizi Tulyaganova

ABSTRACT

An influential luminary of the Harlem Renaissance, Langston Hughes left an indelible mark on American literature through his poignant poetry that celebrated the African-American experience. His verse, renowned for its simplicity, vivid imagery, and rhythmic language, authentically captured the essence of African American life, delving into themes of identity, injustice, and the unyielding pursuit of equality. This article elucidates Hughes' profound impact on American literature, highlighting the enduring resonance of his evocative poetry.

Keywords: Langston Hughes, poetry, Harlem Renaissance, African American experience, social activism.

Langston Hughes, an iconic figure of the Harlem Renaissance, left an indelible mark on American literature through his profound poetry celebrating the African American experience. Born in 1902 in Joplin, Missouri, Hughes' upbringing amidst racial segregation deeply influenced his literary works. His poetry, characterized by its simplicity, vivid imagery, and rhythmic language, resonated with the essence of African American life, tackling themes of identity, injustice, and the pursuit of equality. Hughes' seminal works, including "The Weary Blues" and "Harlem," skillfully conveyed the joys and struggles of black Americans, imbuing his verses with profound emotional resonance[1]. As a social activist, Hughes used his poetry as a tool for change, advocating for civil rights and empowerment. His enduring legacy as a pioneering poet and voice of the marginalized continues to inspire generations, ensuring his place as a towering figure in American literary history.

Langston Hughes emerged as a prominent American poet, social activist, novelist, playwright, and columnist during the Harlem Renaissance—an era that celebrated African American culture in the 1920s and 1930s. Despite facing racial discrimination from an early age, Hughes' literary talents flourished. Born on February 1, 1902, in Joplin, Missouri, Hughes spent his formative years in Lawrence, Kansas, and Cleveland, Ohio[2]. Raised by his maternal grandmother after his

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Chirchik State Pedagogical University Staatliche Pädagogische Universität Chirchik Chirchiq davlat pedagogika universiteti

Current Issues of Modern Philology and Linguodidactics Aktuelle Fragen der modernen Philologie und Linguodidaktik Zamonaviy filologiya va lingvodidaktikaning dolzarb masalalari

parents separated, Hughes navigated a world rife with racial prejudice. Yet, he found solace and expression through poetry, honing his craft while studying at Columbia University in New York City.

Hughes' poetry and prose became a poignant reflection of African American struggles, joys, and culture, drawing inspiration from the rhythms of jazz, blues, and spirituals. His rise to prominence coincided with the Harlem Renaissance—a cultural movement that celebrated African American art, literature, and music. With the publication of his poetry collection "The Weary Blues" in 1926, Hughes garnered critical acclaim, solidifying his status as a leading figure of the Harlem Renaissance[4].

Throughout his prolific career, Hughes wrote numerous poems, short stories, essays, and plays, exploring themes of identity, race, social justice, and the African American experience in America. His works, such as "The Negro Speaks of Rivers," "I, Too," and "Harlem," resonated deeply with audiences, capturing the resilience and spirit of the black community while confronting the injustices and discrimination they faced. Hughes' poetry is characterized by its accessibility and simplicity of language, making it accessible to readers of all backgrounds. He often incorporated elements of blues and jazz music into his verses, infusing them with rhythmic patterns and repetition to create a musical quality. Hughes' use of vivid imagery and symbolism vividly evoked the sights, sounds, and emotions of urban life and the African American experience. As a central figure of the Harlem Renaissance, Hughes drew inspiration from the cultural vibrancy of Harlem, incorporating themes, dialects, and traditions from African American culture into his poetry. His poems, including "Dream Deferred" and "Mother to Son," continue to be celebrated for their eloquence, emotional resonance, and enduring relevance to contemporary issues of race and social justice.

Langston Hughes' poetry has had a profound impact on American literature and culture, influencing subsequent generations of poets and writers. His ability to articulate the experiences and aspirations of African Americans elevated the voices of marginalized communities and inspired social change[3]. Hughes' enduring legacy as a pioneering poet and advocate for civil rights continues to inspire generations, ensuring his place as a towering figure in American literary history. Hughes' poetry continues to be widely studied, anthologized, and performed, serving as a beacon of hope and resilience in the ongoing struggle for equality and justice. His works offer profound insights into the human experience, fostering understanding and empathy across diverse audiences. As we reflect on Hughes' contributions to American

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Chirchik State Pedagogical University Staatliche Pädagogische Universität Chirchik Chirchiq davlat pedagogika universiteti

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Current Issues of Modern Philology and Linguodidactics Aktuelle Fragen der modernen Philologie und Linguodidaktik Zamonaviy filologiya va lingvodidaktikaning dolzarb masalalari

literature, we honor his legacy as a champion of the African American experience and a trailblazer for social change.

Langston Hughes' poetry stands as a testament to the resilience, creativity, and enduring spirit of the African American community. Through his evocative verses, Hughes captured the essence of a generation and challenged societal norms, paving the way for a more inclusive and equitable future. As we commemorate his legacy, we recognize Hughes' invaluable contributions to American literature and his unwavering commitment to justice and equality for all.

REFERENCES

1. Rampersad, Arnold. "The Life of Langston Hughes: Volume II, 1941-1967, I Dream a World." Oxford University Press, 2002.

2. Bloom, Harold. "Langston Hughes: Poet of the Harlem Renaissance." Chelsea House Publications, 2004.

3. Lauter, Paul. "The Heath Anthology of American Literature: Volume D, Modern Period (1910-1945)." Cengage Learning, 2004.

4. Berry, Faith. "Langston Hughes: Before and Beyond Harlem." The University of Tennessee Press, 2018.

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