CC BY
3
УДК 374
Turopova P.
Jizzakh State Pedagogical Institute teacher of the department of education Preschool PATRIOTISM IN POETICS (EXAMPLE OF ZULFIYA BURIEVA) Abstract: This article was dedicated to researching of national traditions in the poetry of Zulfiya Buriyeva who was member of Jizzakh litrary environment.
Keywords: Independence, native land, freedom, liberty, honor, love, nationality, tradition.
It is worth noting that as a result of independence, the creative potential of our ancient literature has expanded. Now the people of the pen have the opportunity to sing about the true history of their nation, the freedom of their homeland, the way of life and dreams and traditions of the people, the joys of their compatriots, and to create not only the art, but also the highest standards of creativity.
When a man is brought up in a spirit of love for the land inherited by his ancestors, his native land, it is also natural to be influenced and inspired by his nationalism and patriotism. Of course, the artist, who has a child, sings deeper than the pain and suffering of the day
It is possible to see that the works of Zulfiya Burieva, a poet from Jizzakh, who were born in the heart of the national pride, were also guided by the principles of national self-consciousness, respect for the country, promotion of national traditions and singing national feelings. If you endure the pain of your heart, Because of the tyranny of the busy days, If you drown in the forehead When your heart is in trouble, "What a Poet you are," What a Poet?! [2,4]
Indeed, as a representative of the nation, the poet sings about the people's dreams, dreams and dreams. In his poem he refers to the pain of the Soviet era as a pain in the heart. The intensity of those traumatic days, the plight of the people, the humiliation of the nation, the brutality of his forehead, and the humiliation of the human heart by the humiliation of those who say that you are a poet. This is because the poet is deeply aware of the high aesthetic ideal of the artist in order to be loved, and the need to enter into the life of the people, which is reflected in his poems. This can be seen in the poem "To Myself": Spring is coming, why are you so quiet? You are alien to the summers, like a stone. Kuzak weeps, If you will not, Winter is white velvet, why are you tonight? "Finally ... Are you a Poet or ...
Who are you! [2,4], -
In his poem, the poet sings, expressing himself and his creative concept in general.
Naturally, the poet's essence as a translator of the human heart vibrates. In particular, I - I should reflect national and universal human feelings. In this context, we can see how appropriately Abdullah Aripov, the People's Poet of Uzbekistan wrote: "The artist must accept the universal human pain as a personal pain, or raise his own pain to the level of the universal." We can see that the poet fully adhered to this principle when we read the poem: Are the hopes dying in your heart, Or are you satisfied with the dreams, The flames of his heart just laughed; Love has never been a widow in your heart. What a Poet you are Anything you do ?! [2,4], -
The message from the lyric hero says, "If you start to understand yourself in a certain way, you will feel the same."
It is important to note here that, "Only when an artist can enter the castle of his soul can he answer these questions with new and fresh answers. Because he never returns from a heart attack with a dry hand. We have a great idea, a strange tone, and the fact that we have never met, presents us with poetic and poetic images. " [6,27]. The poet's lyrical hero is also a real man. But his heart is burning with fire, and he is trying to think, to think, to provoke his own "I". In this, the poet has taken the poem into a community-based approach to social life, not from a social point of view. To the rhetorical question of the poet, "How are you a Poet", the poem also has a secret answer to "I".
It is worth remembering the words of the scholar I.Khafurov about the pain of the artist and the feelings that he has created. "The pain of the creator, and especially of the lyric poet, is a peculiar, personal and private pain that goes out of a narrow circle. The artist also expresses the pain of others through his pain. He is the one who has made the pain of others more intense, his feelings of compassion more universal than the others, and his own art, vibrant, healing words, urged to alleviate human suffering and understand his great responsibility. Sickness is born out of conflict in this world. They are the result of conflicts. The poem reflects the dramatic dramatization of the conflict. The dramatic tension is the pain of the poem. "[5, 124] The poet's poem," My Father's Thoughts, "is one of these poems: I said before revolution, Palonnier is a hairdresser, red cloth red! Today, I have been thinking again! Who is the "invader", who is the "red" ?! The golden mansion where my descendants worshiped As far as I know, the deposit is shiny [3,20].
The poet expresses his father's thoughts and feelings in the form of questioning. It is clear that our nation was inspired as a singer of the revolution.
Real and genuine patriots of our country admit with sadness and regret that the invaders were destroyed under the stamp, and the invaders who came to our country were valued as red. The lyric hero in the poem admits that she spent her entire life as a father of yesterday, a pseudo-fraudulent, politically-charged politician.
Through this poem, the poet reveals his heart. His disease is broader, more colorful, richer and more colorful than any other description. But even the best descriptions cannot explain all the poems, abilities, and spheres of the poem. Because the definitions cover only the general regularities of poetry. More precisely, the poem is never in the description as it relates to the most sensitive points in the world of human psychology, the human experience. This concept is reflected in the balance of artistic reality and the level of coverage, the conflict of mind and emotion:
Anxiety that burdens my shoulders, The time when my child cradled his cradle. The history lesson is like a fortress, Let Uzbek live in the world too! [3,20].
Since "independent Uzbekistan is a source of strength - our people's adherence to national, spiritual and universal values" [1,40], the poet's affection for the motherland is very hot, so it is as if his pain was his own pain. He knows that. She has to be an Uzbek to love her country, to burn, she says. Grease, rain, white snow, The whiteness of the heart is insane ... I have a feeling of being overwhelmed -A proud heart. For my country, to burn You have to be born Uzbek. Fat, rain and white snow [2, 7].
During the trip to Moscow in 1990, the poet wrote the poem "The Land of the Lost" and conveyed the feeling of the motherland with the power of words. For, as the poet knows, a person who has a homeland has the support and the power. Therefore, he thinks that he should be praised and appreciated at every moment, and places his feelings in the lines: My dear, is there a way? - Home!
Take me away too! Flowers to your heart, My smells go home. Enjoy your poem To my senses ...
The lobster burns, the craving is long Pleased to the hometown! [3,8].
Poet Zulfiya Burieva, who, through her poetic gift, gives immense pleasure and spiritual nourishment to change our consciousness, seeks to discover, discover
and connect with something new in the realities of life, thoughts, feelings, and experiences. - In the poem "All apricots that meet the dawn" can be seen in the poem, which is able to conquer the spirit of the time through this world. Everybody knows, the black days The sun's rays of poisoning. From the starlight to the moonlit night Zumrad tonglari - Listen to songs Apricot blossoms in Uzbek land - [2, 5].
Clearly, the poem dominates the feeling of gratitude. Yesterday's dark days shone like the sun for today's independence, sang with freedom, and beautiful melodies in the gardens of our homeland are expressed in subtle cheers and contrasts. The poem is expressed in the form of the lyrical hero's spiritual heritage, his attitude to the national idea, and his reaction to the renewal of our ideology. After all, the moral foundations of this ideology should be the feeling of motherland, national self-sacrifice, belief in the heritage and spirit of ancestors, and universal values.
Consequently, there is also an opportunity to strengthen our belief in the principle of adherence to good deeds and good deeds in the national idea. Historical experience shows that a nation that has not absorbed the spiritual heritage of the past, who has not appreciated the ancestral heritage, has a weak faith and a vague idea. The great educator M.Behbudi did not say in vain that the present is the balance of the future. This, in turn, is reflected in the relation of each person to the spiritual heritage. "[4,52]
Consequently, adherence to universal values prevents political culture from unnecessary nationalism and unilateral interpretation of national characteristics. Clearly, the poem of the poet, "All apricots that meet the dawn," is, in essence, as a result of the poet's ideological views on patriotism and national and moral values:
The messenger of goodness is a white marble cloud Swim across the world as you swim. The glorious velvet in the bride's dress, The apricots are bored.
In his native land, the teacher blossomed apricots [2, 5]. The river of life, which has lived on this earth since its existence, has long aspired to the air of dreams. The life of this nation, which is a nation, a nation, with a love and mercy, deserves respect. This Motherland, Motherland, this people's spirit is the unconditional witness of the history of existence. Perhaps this is why poetry is so poetic in the form of poetry, in the spirit of high affection, patriotism, national self-consciousness, the preservation of our centuries-old sacred values:
If I stay in a lie,
Believe me, the good guys will laugh, Even if you wear a hat on it, The good do their job,
Allah, do good! [2, 11].
Our past, our aspirations and our future are in it. The poet understands the meaning of the time broadly and broadly. At that time, the good and the bad, as well as the beauty and the unpleasant, are always looking for elegance in them and wanting to find miracles of goodness and refinement in those ugly colors, and ask Allah to grant them these days and to attain the good: These days will pass, tomorrow is confidence, In the day that awakens hope Early in the morning a baby boy When I wake up again in the spring, Allah, grant me this day only [3, 8].
It is clear from the above analysis that poetry's creativity is deeply philosophical, national pride, religious and moral depth, and therefore, poetry can be called a source of strength, a source of thought, a feeling, a unique finding. One of the poems that underlies this unique finding is the poem "The Seventh Heaven": What I have always cherished in my heart Drunk dreams, I found you. Dreams of drunken dreams, Unexpected fairy tales, I've found you too - [2,42].
So what did the poet find? Who or what made him so happy and so excited? As we read the poem, the situation that elevates the lyric hero to the seventh heaven is unimaginable:
In the troubled world he has made me Instant bliss I found you, in you. Naboli called me a king My wounds are on you ... [2,42].
We are happy that the poet has found the meaning of his life, and he has succeeded in reaching the hearts of those who call him 'king'. After all, when a person is born and works hard to achieve all the goals he has set for himself, one day he can achieve it. But the hardest thing to do is to find a way to get to the heart of another person, to be able to sympathize with it, and not everyone can. Unlike those who are lured into the world by the pleasures of this world, who lash out at the streets for their own benefit, throwing stones at others for their own sake, the lyric hero lives with the joy of others, and finds pleasure in the meaning of his life. thinks in knowing:
A star cut off from the sky, What a waste of time. And the seventh heaven is I the star; I know I have fun with a star [2,42].
In general, when we look at the poetry, we can see that his poems reflect a strong, vibrant emotion, and the tone is unique.
Literature list:
1. Haydarov A. Human development and national-spiritual values. T., "Editor", 2008
2. Burieva Z. The seventh heaven. -T .: New Generation, 2001.
3. Burieva Z. The Cheetah of Hope. -Jizzakh, 1992.
4. Bakhti Ochilova. Inheritance, values and succession in national-spiritual development. T., "Independence", 2009.
5. Gafurov I. The heart of the lyrics. - T .: Literature and Art, 1984.
6. Gafurov I. Poetry is a spiritual attitude. -T .: 1990.
