Научная статья на тему 'LITERARY INFLUENCE AND ARTISTIC IMAGE'

LITERARY INFLUENCE AND ARTISTIC IMAGE Текст научной статьи по специальности «Языкознание и литературоведение»

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Ключевые слова
LITERATURE / ARTISTIC IMAGE / NOVEL / POETRY

Аннотация научной статьи по языкознанию и литературоведению, автор научной работы — Hayitov Hamza Ahmadovich

In this article highlights of about national literature and artistic image, means of poetry.

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Текст научной работы на тему «LITERARY INFLUENCE AND ARTISTIC IMAGE»

UDK 808.5

Hayitov Hamza Ahmadovich Teacher of school №s30 Bukhara region Uzbekistan, Bukhara city LITERARY INFLUENCE AND ARTISTIC IMAGE

Annotation: In this article highlights of about national literature and artistic image, means of poetry.

Key words: literature, artistic image, novel, poetry.

Every time we read the novel "The past days" by Abdulla Qadiri, the author of great thoughts and great ideas, each reader makes a special impression. Research and scientific articles on this work are also relevant. As we read the work over and over again, we see that the writer has studied with deep respect the samples of classical literature, which is our spiritual rich reserve. We recall one historical event as evidence of our thoughts; In 1926, a search will be conducted in the House of Abdulla Qadiri for the articles "Summaries" and "Bon-bon", published in the Journal "Mushtum" In this process, the work of Zahiriddin Muhammad Babur from Adib's house, the book of "Boburnama", the oral "Khamsa" by Hazrat Alisher Navoi and the book of "European policy" by Yulis Okchurgin will be confiscated. At a time when European andozas were entering the modern world, Abdulla Qadiri gave a spiritual basis to the possibility of creating beautiful works based on our national classical ground. Therefore, in the novel The unique "The past days", which absorbed light from the sun of classical literature, Grace can not be overemphasized!

Abdulla Qadiri skillfully describes every aspect in the novel, place names, historical personalities, compatibility of historical facts and logic of life in the artistic interpretation of historical events. The reason is pleasure to the reader of the work-he is enthusiastic. When thinking about the "The past days", we draw our attention to the following aspects of the work on the definition of scallops.

"... A young man with a heavy temperament, majestic Gav, a charming and white-faced proportions of handsome black glasses, a black brow and an endina murti carrot.[1]

Continue reading of the worktirib: "- Hamid asked when smearing bread on a shinny:

- How old are you?

- Otabek's mouth did not shake, he answered Hasanali, who poured tea:

- Becka will step twenty-four years old to the right of the heel if God gives a long life this year's praise.[2]

If we focus our attention on the sentence "...a young man who now shoots a carrot...", which is contained in the portrait image of the father, and in the speech of Hasanali " ... praise this year, the heel will step right into the age of twenty-four." In this place, it is natural that a question arises spontaneously in a selective reader. In life, fifteen or sixteen young people begin to beat Mort vart in a suitcase (the beginning of the output of a mustache in young people). Why did the great word

artist Abdulla Qadiri give such an image to the twenty-three-year-old father, who was facing the age of twenty-four? What if the logic of life on this place is broken?! The idea that this rare work, which expresses the life experience of ADIB, which he has accumulated over the years, religious, moral, scientific, literary views, is free of peasants, passes through our imagination a Lahza.

In this place, the Search event in 1926 year and a piece of the work brought below caught our attention: after spending the evening soup, Hasanali came out dressed in his cell and entered the side of the scallops. The fireman was engaged in the reading "Boburnoma". Do not work on me without expressing his intention against some probabilities, Beck? - Hasanali asked.[3] the hero's reading of the book" Boburname can now be the key to the puzzle "Murti endi sabza urgan" - we read from the section " Vaqoei sanai tis'a va tis'amiya (nine hundred and ninth year events) of the book "Boburnama": "In the month of Muharram, the Khorosan Azim of the Fergana region, summer pasture, from the summer pasture region of Khisar, I came. In this land, I put a razor on my face at the beginning of the twenty-three years old."[4] in its place, our hearts are comforted. Abdulla Qadiri's heart, intention as much as possible to understand the particle. He wants to make his hero look like King and poet, charming personality - Babur Mirzo. Writer Nizamiddin Alisher Navoi gives a gloss for the specific and suitable images depicted in the "Khamsa". In fact, the main characters in the novel "The past days": Otabek, Kumushbibi, Yusufbek hodgis are the people who are brought up as a lesson ulgulik sharqana. The hearts are pure, the eyes are clean, the intentions are unbiased and the deeds are solix. In the Hadith Sharif it is said that" the most beautiful of people is wrapped in a veil of Khaya'ah." While reading the novel "The past days", the reader is amazed by the attitude of parents and sons and daughters. We can also see this through the example below. " ... my son, have you heard yet whether haytovur we have done a job on you. As far as I know, their" what they did and did not want to do", of course, knew, it was not known at all; what the wise men did over their sons, of course, was unacceptable.[5]

The answer, which, like Oman, tells its owner of a heart that is raging with endless feelings and great love, Sharka vividly padaribuzrikvoru, is a macro for the sharp, step-by-step tetek guys of our time. If we look at the history of our nation, the issue of respect for parents is in the first place. In this place, we put an argument in our minds "Those who followed me hopelessly, great and small, were more than two, more than three hundred. Two tents in our midst when we were in this career. My tent was sewn to my mother. I have sit were made in every land olachuk"[6]

Abdulla Qadiri also draws attention to the issue of patience, which is important for humanity in the development of events, in the interpretation of images. After all, patience is one of the conditions of faith "innoolloha institabrin", is called in the Hadith. The father was unjustly expelled from the door of the Qutidor. After that, he also traveled several times to Margilan. There he made friends with the master scientist, at some time spent the night in his house, and goh spent the night in the mosque "Khoja Maoz" in Margilan. Uzbek patience, decency, concern, courage make the image of the Otabek more perfect. However, despite any mistress, my

fearless Mirzakarim could also knock on the gate of the qutidor. Abdulla Qadiri remains faithful to the idea that the appearance of the famous classical philosophy dish and the people of solix have deeds, the image of which becomes darker than the urine of the pale ones.

We liken the false letters of homid to the Yasuman camp in the "Farhad and Shirin" epic with the evil intentions of the sister of Paradise, who delivered her to the House of Qutidori. Adib uses such terms as "puchuk old woman" in relation to Paradise, "ukki eye" in relation to Sadiq, "desert broom" in relation to Muslim. In this place we have found a legend to be remembered: Khazrati Ibrohim Adham the goods will fly the soul of the imaginary ring of the world and go towards the pilgrimage to Mecca. Two rakats at every ten steps of prayed and reached the city when they said seven years. By eye they see that Mecca was not in its place, they began to call Allah: Oh My god I traveled for many years Math, and the world, and the crown-if it were not in the place of Mecca where I passed the throne, then came to sound from the door of a mosque: "The heart of Mecca went to visit the man was the first orifa woman, Sufi Robiyai Adria"

In Islamic sources it is said to glorify the intention and make the soul pure. One of our mashayihs is khoyu-Khawas, the good-world makes the soul look like water, a person like a boat. Without water the boat will not swim but let's assume that the water floods into the boat. Doctrine knew that the world would stand on like a boat but would not allow entry into our hearts. Homid, Faithful, Muslim, like a paradise old woman, the eyes of the soul are exquisite-the servants who slaughter khasad will find a sad fate. One reason for our opinion: "Ummi Jamil, the wife of Abu Lahab, has always driven people against the Prophet alaihissalom, who burned the grass of enmity between them, because the Qur'an described him as "behind the wood," and reported that hell would enter with her husband in the same case," verses 3 -4-5 of the Quran Karim's Masad.

We are far from giant claims with these claims. Our goal is to appreciate the love and reading of the book. The artistic level of the novel "The Past Days", under the influence of his deep understanding, reading classical works such as "Khamsa", "Boburnama", Abdulla Qadiri, is a riveting level of the reader's admiration for the artistic concept, the coloration of events in the work. Due to wise reform of the head of our state, the attention to books and reading is special today. Hazrat Alisher Navoi read the reader's book "Rose fluff between Mushaf avroghi " - that is, a person busy with reading is like the petals of a fragrant flower placed between the sheets of the Qur'an. A pious person always gets an erection on his body, the goal is to achieve the purity of the body. The knowledge of the book, in our opinion, is a spiritual purity and a spiritual delusion.

References:

1. Abdulla Qodiriy O'tgan kunlar. - Toshkent., "G'afur G'ulom", 2017. B.6.

2. Abdulla Qodiriy O'tgan kunlar.- Toshkent., "G'afur G'ulom", 2017. B.9.

3. Abdulla Qodiriy O'tgan kunlar.- Toshkent., "G'afur G'ulom", 2017.B.38.

4. Zahiriddin Muhammad Bobur Boburnoma. - Toshkent., "Yulduzcha" 1989-yil, B.109.

5. Abdulla Qodiriy O'tgan kunlar. - Toshkent., "G'afur G'ulom", 2017. B.136.

6. Zahiriddin Muhammad Bobur Boburnoma. - Toshkent., "Yulduzcha" 1989-yil, B.109.

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