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6FORMATION OF THE CREATIVE PERSONALITY OF ABRAHAM YUSUPOV AS A BALLET ARTIST AND BALLET MASTER
Irina Radikovna Sultangirova State Academy of Choreography of Uzbekistan
Annotatsiya: The development trends of baletmeister art, implemented in the work of Ibrahim Yusupov, the problems of traditions associated with the search for new spiritual means, are shown by staging in a number of ballet works. On the principles of creative work on the artistic creative integrity of baletmeisterism and performance, the master-student traditions were applied to his students. This article will be devoted to the life and work of the people's artist of Uzbekistan Ibrahim Yusupov.
Keywords: ballet, artist, libretto, choreographer, puante, pose, choreographic hangar, act, divertisment, solo, korebalet
Over the past period, many great creators have contributed to the Uzbek dance art. The services of many dance masters such as Yusufjon interesting Sugarcanov, master scientist Komilov, Tamarakhanim, Mukarrama Turganbayeva, Gavhar Rahimova, Rozia Karimova, Beaver Mirkarimova, Qizlarkhan Dostmukhamedova, Dilafruz Jabborova, Galiya Izmaylova were great in introducing Uzbek dance to the world during his time.
Indeed, under the leadership of our President, large-scale work has been carried out since the first years of independence in order to grow our children harmoniously and see them as mature people. An example of this is our different dances that reflect our nationality. The role of our ballet master, dancer and dancers on this path is also immeasurable. Not only our national dances, but also various modern dances staged by our current young ballet makers are the result of great achievements in this field. But these cases of going beyond the limits are one of the pressing problems of the present day. The reason is that the intensity of the Times is setting new and more complex tasks in a developing era.
Study of Uzbek choreographic art, dance schools, methodological foundations L.In the Monographs of abdeyeva "from the history of Uzbek national dance", "Tantsevalnoe iskusstvo Uzbekistana", "Tanes Mukarram Turgunboevoy", as well as R.Karimova's books such as "Bukharsky Tanes", "Fergansky Tanes", "Urok uzbekskogo tantsa", "Uzbek dances", "Khorezmsky Tanes", "Heritage dance masterpieces", "Tantsi Ravii Atadzhanovoy", M.Akhmedov's "Margarita Akilova", R.R is covered in such treatises of Iskandarova as "Klassichesky Tanes". Fasting Iskandarova's book "Klassicheskiy Tanes" is a textbook on the art of classical dance,
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in which the rules of classical dance art, the names of cases and movements are fully and intelligibly told about how they are performed.
In the history of Uzbek ballet art, the ballet artist, ballet master and pedagogue, honored art figure of Uzbekistan Ibrahim Yusupov, known in the second half of the 20th century at the beginning of the 20th century, left a clear mark. Muhiddin Qori-Yakubov, Tamarakhanum and Mukarram Turganboyevas contributed to the development of classical ballet dance in Uzbekistan, continuing the traditions of the Russian Ballet School.
- E.Obukhova, V.Gubskaya, Z.Afanasevas, Ibrahim Yusupov became the first manifestations of the National School of ballet art . The creation of the Uzbek theater named after Alisher Navoi has become a remarkable state in the history of Uzbek theater and dance art.
Before considering the path of life and creativity of Abraham Yusupov, his enormous creative heritage, let us dwell on the attitude of the baletmaster towards his profession. Today, ballet artists, choreographers and tutors, ballet makers operating at the state academic Bolshoi Theater named after Alisher Navoi, including mentor in his time I.Under the leadership of Yusupov, the theater team, operating together, preserved the traditions of the teacher-disciple, I.Continuing the ballet school created by Yusupov and its creative heritage, they have achieved many successes as a worthy follower, as well as tireless work, creative research.
A sharp optimistic feature in the nature of Abraham Yusupov, his non-stop and constant movement on the path of life, led to his approach to his profession with special responsibility.
Ibrahim Yusupov devoted more than sixty years of his life to the art of ballet, he went through a huge successful path in muobeyn of this period, from choreographer Ballet soloist to the rank of Chief ballet master. During his ballet career, he revived many world classical masterpieces of ballet on the Uzbek ballet stage. These are the works of ballet "crunchy", "Sleeping Beauty", "Giselle". Also I.At the initiative of Yusupov, such ballet works as "Spartak", "Tomaris", together with the theater troupe, managed to repeatedly show Uzbek ballet art in foreign countries. I.Yusupov has always been in creative search and has always supported artists who want to independently stage works of any ballet performance. And he himself never stopped discovering news from creative search. During his time, the main composition of the troupe of the state academic Bolshoi opera and Ballet Theater named after Alisher Navoi was the skills of his knowledge at the Ibrahim Yusupov school. Under his leadership, they formed their own creative abilities, demonstrating the skills and capabilities of creativity.
"The years of development of ballet art in our republic are in harmony with the period of progress in the field of Science and technology, when Universal discoveries
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are being made. In his choreographic works, Yusupov also seeks new means of expression, new forms of dance, ways of navotry, benefitted from the classics of ballet, with constant thirst to express the dynamic weights of the times, the kick of the soul. Already classical dance is a wanderer of ballet art. Professor Yuri Grigorovich said about this:"a ballet master who did not know perfectly the thoughtful, eye-catching secrets of classical dance, did not deeply master his technique, will never say his bright, unique, lively and wave-forming word in modern ballet."
I.Yusupov also became the permanent chairman of the State Examination Commission of the Tashkent State Higher School of national dance and choreography for many years. Several dozen graduates gave impetus to the acquisition of their favorite profession on the roads of life. Every year she replenished the ballet troupe with promising young ballet artists. His disciples, on the other hand, showed independent and absolute unrepeatable possibilities. From different generations, his disciples took a worthy place and received several state awards. These are Tamila Nastedova, Nozima Khasanova, Vadim Gellertov, Andrei Shalberkin, Amina Babajanova, Nodira Hamroyeva and others. The highest state awards and titles of the people's art of Uzbekistan Ibrahim Yusupov are the target of his creative achievements.
The energy of effective communication, constant research, spiritual priority towards art, always with a creative approach and a wide range of cooperation I.Yusupov became the meaning of the path of life and creativity. His creative pursuits and experience in choreographic new approach have paid off in finding tools.
Ibrahim Yusupov took an active part not only in the staging of many ballet performances, the most important dates of the opera and Ballet Theater, state events and concert programs. His creative approach to keeping pace with the Times served as the foundation for the emergence of today's appearance of the Uzbek classical ballet. His efforts to preserve and further improve centuries-old national dance traditions, to combine them with the achievements of World successful ballet performances and to introduce choreographic art to the general public in our country were reflected in the further improvement of the cultural sphere in Uzbekistan. The traditions and creative experiences created by the teacher have borne fruit in the creation of new ballet performances today.
The childhood years of Abraham Yusupov coincided with the most difficult periods in the history of our country. Ibrahim Yusupov was born on March 5, 1935 in Urgench, Khorezm region in a working family . He was only five years old when his mother died, after which Abraham began to live in Tashkent under the care of his aunt. Later he was brought up in one of the children's houses in Tashkent. The subsequent difficulties of the war period did not prevent the creative atmosphere that reigned in the orphanage. Usually, due to the harsh conditions, it was not possible to widely
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celebrate the holidays, nevertheless, the orphanage was actively involved, where the wards memorized poems, performed small theatrical scenes, music and dancing.
The visit of the guests to the orphanage in 1950 was one of the important meetings in the life of Abraham. The fact is that the ballet school, founded three years before the events described - in 1932 at the initiative of Tamarakhonim in Tashkent, will be transformed into an Uzbek choreographic educational institution in 1947. A graduate of the St. Petersburg educational institution of choreography Zinayida Nikolaevna Afanasyeva (1907-1975) was appointed the first artistic director of a new educational institution. Zinayida Nikolayevna Afanasyeva-Agrippina was a student of Yakovlevna Vaganova and a follower of her pedagogical system, making a significant contribution to the development and implementation of the methodology for teaching classical dance. At the end of 1949, on the initiative of Zinayida Nikolayevna, a choreographer-pedagogical group was formed in order to qualify talented children for admission to an educational institution in Afanaseva, who at that time was a leader in the art of choreography of Uzbekistan. This group was in three orphanages in Tashkent, and as a result of the initial qualifying stage, it selected 30 boys with choreographic education. As a result of repeated qualifying, only five of the selected 30 children were left.
These were Ibrahim Yusupov, fearless Sagatov, Ravil Sadikov, Vova Nasirov, Hayriddin Fayozev.
After the completion of the qualifying round, the boys who passed the competition were transferred to the orphanage No.20, the first talented children's house in Uzbekistan. There, young dancers were brought up together by a talented musician, artist peers. The first director of this orphanage was Orenburg Mikhail Solomonovich, who always cared for the foster children of the orphanage, recognizing them as their children. The memory of this man has taken from the hearts of a murghak baby a place of eternal knowledge. Mikhail Orenburg managed to realize the creative potential of young talents due to their hard work and high pedogogic potential in revealing their creative abilities.
Former foster child of the orphanage No.20 Q.S.According to sagatov, "at the dance creative evenings held in the orphanage in those years, together with the mature manifestations of Uzbek dance art Tamarakhonim, Mukarrama Turganboyeva, a talented representative of the Russian classical dance school Ekaterina Obukhova, a former soloist and pedagogue of the Marinsky Theater in Petersburg, was also involved. With their effective creative activity, the formation of choreographic vocational education, folk dances and, in particular, ballet art arose in Uzbekistan. During the 1920s and 1930s, most of the teachers had extensive experience in their creative activities, performing dances at ballet performances of the Russian opera house in Tashkent. They became not only talented masters of the art of choreography, but also real enterprising leaders in the search for talented younger generations. I.In
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opening the creative potential of Yusupov, the first mentors and mentors in the field of choreographic knowledge - A.M.Sabo and E.P.Novikov took a big place. As a result of the lessons learned from his teachers, he studied with interest the peculiarities and expressive means of his traditional schools. Having formed as a professional artist of ballet, he thoroughly mastered all the artistically complex elements of movement of classical dance and was ready to show vivid, noticeable choreographic images on the ballet stage."
I.Yusupov has another important professional quality. It is a culture of choreographic thinking that is considered the template of artistic taste. This was achieved by the choreographer with long searches, exercises. Ballet lovers know Abraham Yusupov well as an excellent dancer. He dreamed of rising to the High stages of soloist art, which created a unique style of performance, deeply entered the image of the hero and captivated the audience. After working in the ballet troupe for several years at the Alisher Navoi Theater, in 1950 he moved to Moscow to study. He studied at the balethmeister Faculty of theater arts intituti. Atakli studied at the hands of a ballet master, people's artist of the RSFSR, doctor of art, professor Rostislav Zaharov. The teacher was pleased with the impatience, aspiration and passion of the disciple. As early as his student years, the qualities of individuality and independent reflection in him were delighted. Young Abraham was never shy about experimentation, he read books on choreographer's work, masterpieces of fiction, falling into the mug. Books remained his companion in life. Indeed, it is difficult for a choreographer to create perfect ballet performances if he does not enjoy the treasury of fiction.
Ibrahim Yusupov stepped on the stage of the academic Theater in 1955, after graduating from the educational institution of choreography. Realizing his dream, he became a ballet artist of the State Academic Bolshoi opera and Ballet Theater named after Alisher Navoi. Young ballet artists Galia Izmailova and Mikhail Satunovsky were the first ballet makers of the theater. As a result of her diligence, soon after that she became a solo soloist and performed leading parties in ballet performances of the current repertoire. Among his choreographic images, which he performed in classical and national ballet performances, Albert skillfully embodied such images as "Giselle", Zvezdich "Masquerade", Bator "dream", Siegfried "Swan Lake", Bambur "The Legend of Kashmir", soloist "Shopenians", Garmody "Spartak" In these ballet performances, Ibrahim Yusupov was accompanied by such masters of performing arts as Galia Izmailova, Bernora Kariyeva, Gulnora Mavayeva, Valentina Proskurina, Sevilla Tangurieva.
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