The representation of Nazi perpetratorsin exhibitions in Germany: an underexposedpart of memory policies

NOT WHAT, BUT HOW IS THE INDEX? ON THE DIFFERENTIATION OF THE VARIOUS INDEXICALITIES OF PHOTOGRAPHY

This obscure object of desire: object, photography, Museum and damaged churches

POLICE ARCHIVE: PHOTOGRAPHY, POWER AND SPECTATOR

The linguistic characteristics of the technologization of discourse

A lost sundial found, and the role of the hour in Roman daily life

PAINTING, SEWING, DIRECTING – CREATING SPACES AND NARRATIVES WITH PHOTOGRAPH’S

“IT'S VIRTUAL! REALLY!” PHOTOGRAPHY, SPACE AND REALITY IN VIDEO GAMES

Beyond beautiful representations: the material hyperreality of artistic ethnography

Interview with roxana Marcoci — senior curator of the department of photography at MoMA