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12Жамият ва инновациялар -
Общество и инновации -
Science
through time and space
Society and innovations
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https: //inscience.uz/index.php/socinov/index
Teaching to draw a nude male body from the front with a pencil
drawing
Chori SADATOV 1
Termez State University
ARTICLE INFO
ABSTRACT
Article history:
Received February 2021
Received in revised form
20 February 2021
Accepted 15 March 2021
Available online
15 April 2021
Keywords:
body,
pencil,
plaster,
man,
alrangement,
spatiality,
integrity,
shadow - light,
spatial perspective,
tone,
art
At present, research is underway to develop a theoretical and
methodological basis for teaching the science of calligraphy, a new
scientifically based way, form, content and methods, and it is a topical
issue. The process of drawing a human body is done step by step. Of
course, academic drawing operations are used,
It is revealed through the transition from simple to complex.
2181-1415/© 2021 in Science LLC.
This is an open access artide under the Attribution 40 International
(CC BY 4.0) license (https://creativecommons.org/licenses/by/4.0/deed.ru)
Qalam tasvirda erkak kishining libossiz qomatini old tomonidan
chizib o‘rganish
ANNOTATSIYA
Kalit so Г: Hozirgi kunda xattotlik fanini o‘qitishning nazariy va uslubiy
tana, asoslarini, yangi ilmiy asoslangan usul, shakli, mazmuni va usullarini
en ishlab chiqish bo‘yicha izlanishlar olib borilmoqda va bu dolzarb
odam, muammodir. Inson tanasini chizish jarayoni bosqichma-bosqich
joylashish, amalga oshiriladi. Albatta, akademik rasm operatsiyalari qo‘laniladi.
fazoviylik, Bu oddiydan murakkabga o'tishda o‘zini namoyon qiladi.
yaxlitlik,
soya - yorugik,
fazoviy istiqbol,
ohang,
sarvat.
1 Senior Lecturer, Department of National Crafts and Ceramics, Termez State University, Termez, Uzbekistan.
E-mail: Aziza01011996@gmail.com.
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a) Science Жамият ва инновациялар - Общество и инновации - $ос1еу апа тпоуаНопз
Аим Special Issue - 3 (2021) / ISSN 2181-1415
Обучение рисованию обнаженного мужского тела с
передней стороны с карандашным рисунком
АННОТАЦИЯ
Ключевые слова: В настоящее время ведутся исследования по
тело, разработке теоретической и методологической основы для
карандаш,
ИПС преподавания науки каллиграфии, нового научно
человек, обоснованного способа, формы, содержания и методов, и это
расположение, актуальная проблема. Процесс рисования человеческого
пространственность, тела выполняется поэтапно. Конечно, используются
целостность, академические операции рисования. Это проявляется в
тень - свет,
переходе от простого к сложному.
пространственная
перспектива,
тон,
искусство.
The comprehensive development of the younger generation is a key criterion of
educational institutions. Today's reforms being carried out in our country also require the
formation of a mature, aesthetically rich worldview of young people, the formation of high
spirituality and creative thinking. In this regard, we need to know the role and practical
significance of the teaching of the subject of pen in higher education.
Currently, research is underway to develop a theoretical and methodological basis
for teaching the science of pen, a new scientifically based way, form, content and methods,
and it is a topical issue. Without sufficient knowledge and skills in pencil drawing, a student
will not be able to master composition, painting, drawing, sculpture, folk arts and other
specialties at a high level.
Therefore, it is important to organize lessons in a methodologically correct way on
the basis of modern pedagogical technologies. Pencil is the basis of all forms of fine art.
Regardless of which type of fine art the artist creates, it is based on pencil drawing. This
word expresses his observations, his research on the compositions of great works, first
with the first lines in a pencil. Drawings serve as an auxiliary source for the artist in
creating a work of art [1].
The pencil drawing can also be an independently completed work of art. Dream,
sangina, pastel, sauce, many paintings created in pencil have been exhibited in various art
museums and exhibitions around the world.
Pencil drawing lessons are necessary not only for the future artist, but also for
people in various professions in the development of visual, perceptual, perceptual, hand,
mind and sensory organs.
It is known that the process of drawing a human body is carried out step by step.
Of course, academic drawing operations are used. It is revealed through the transition from
simple to complex. The human figure is a much more complex task for students who are now
learning to draw it. Reading the theoretical part of this field is a factor in improving the quality
of the tasks to be drawn for the exercises. Because not only for years, but also for centuries,
the secrets of academic drawing have been revealed, researched and improved.
362
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(f)science Жамият ва инновациялар - Общество и инновации - Society and innovations
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From this it is known that unique, undeniable principles, rules and regulations have
emerged. Adherence to them is a great factor that helps learners in particular [1. 2. 3].
a) determine the compositional location of the image, the general nature of the
shape of the body, as well as the proportions of the parts and the overall shape;
b) linear-constructive description of the body, revealing the peculiarities of its
anatomical structure;
c) detailed drawing of the form by solving color relationships;
d) Disclosure of material properties and generalization of the conclusion of the
work The first stage. Composite placement of the image on the surface of the paper,
determining the general nature and proportions of the frame.
Before starting to draw a step-by-step picture, it is necessary to observe nature from
all sides and determine its characteristic features, choose the most interesting point and
imagine what the picture will look like from this point. To do this, draw a series of
compositional pencil lines from different points and choose the most suitable from these
points [4. 5].
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This is because it is necessary to imagine what the picture will look like. To do this,
draw a series of compositional pencil lines from different points and choose the most
suitable from these points. This is done so that the image can suddenly cool down from the
selected location during processing. The picture below shows the frontal lobe of the human
body. The parts are given in a step-by-step drawing mode.
When working on the human body, the midline of the head is first taken into account,
and the position of the head is determined by the oval shape, which determines the degree
of rotation and movement of the head. At this stage of the work, the educator focuses on
the proportions of the upper, middle, and lower parts of the figure that affect the figurative
nature of the figure. it is necessary to explain the differences between the proportions of
young child figures. Once the height of the head and the location of the pelvic girdle are
determined relative to the height of the whole figure, the direction of the lumbar bones is
drawn with light lines.
The final step is to solve the material and summarize the work. This phase of the
work is the most difficult and time consuming. At the same time, the student must complete
the task, show how he mastered the material, as well as his creative potential. The
expressiveness of the picture is further enhanced when the reader is able to reveal the
material side of nature in a way. The work done in the last stage should be summarized.
Here it is necessary to check the condition of the image frequently.
cay
The conclusion of the work begins with the verification of the proportions of the
figure, the nature of the shape, the reliability of the volume expression, and the correctness
of the tinting ratios. First of all, it is necessary to check the compatibility of ramming.
364
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Ш] 5чепсе Жамият ва инновациялар - Общество и инновации - Society and innovations
ным Special Issue - 3 (2021) / ISSN 2181-1415
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prospects for 2017.
2. Jumaniyazov Sh.R., Haitov E.X. “Chizma tasvir”. Textbook. For 1st year students.
Info Capital Group, T.: 2018. - P. 88. 60 copies.
3, Abdullayev N.X. “Drawing”. Study guide. Economics - Finance, T.: 2010. - Р. 80.
2 copies.
4. Oripova M. “Drawing of gypsum shapes”. Methodical manual. Chashma print,
T.: 2011. - P. 72. 5 copies.
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