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8SCIENTIFIC PROGRESS
VOLUME 2 I ISSUE 1 I 2021 ISSN: 2181-1601
NATIONAL SPIRITUALITY AND MUSIC
Charoshon Odiljonovna Rahimova
Student of the Uzbek State University of World Languages
ABSTRACT
Music also plays an important role in the development of our national spirituality. It is one of the most ancient and, at the same time, late-spread branches of national music, deeply ingrained in its life. The music also reflects the real reality. The influence of music on our national spirituality is so great that science has already proved that it can cure patients.
Keywords: National spirituality, musical culture, traditions, spiritual works, musical works, national revival.
INTRODUCTION
The Uzbek people are a great nation that has made a great contribution to the historical development of the world with its ancient science, literature, art and culture.
"For us, first of all, it is necessary to take our destiny into our own hands, to understand ourselves, to restore our national values and traditions, to maintain peace, tranquility and stability in every home on this sacred land for all of us," he said.
METHODOLOGY
Indeed, independence cannot be strengthened and sustained without addressing issues directly related to culture and enlightenment, and without inculcating the ideas and concepts of independence in the minds and beliefs of the people.
National revival is a very wide, deep, complex historical process, which directly affects all spheres of life of our nation - economy, politics, spirituality, science, language, history, customs, crafts, architecture. covers all relevant issues as well.
The great philosopher Abu Nasr al-Farabi, in his book The Great Music, expressed his valuable views on the types of tones of music theory, their causes, and their spiritual impact on man.
Farobi was not only a theorist but also a practitioner in musicology. He is also a well-known musician, a great musician and composer, and the inventor of a new musical instrument. Reflecting on the amazing magical power and miraculous effects of music, Farobi says in On the Origin of Science: "This science is useful in the sense that it regulates a person who has lost his balance. , perfects and maintains the balance of an imperfect nation. "
In particular, in the national culture, music reveals the world of high emotions, ideas of pleasure. It makes people spiritually rich and pure.
DISCUSSION
The child can feel the music even when he does not know how to hold a pen and read and write. Often these initial impressions influence the formation of attitudes towards music. That is why music education is one of the main directions of secondary school reform. First of all, music softens children's emotions. Like music, it evokes many human qualities in them. Of course, literature, history, sports and other fields play an important role in the development of human qualities. Consequently, poetry and music always live side by side. It is born under the influence of nature and is formed in kindergarten and school. Music lessons educate students not only in terms of sophistication, but also in a broad sense, spiritually and morally. It would be good if our songs, status, programs of all types of schools, pedagogical institutes, which are passed down from generation to generation, and which embody the dreams, aspirations and aspirations of the people, should be included in the program. was. The world-famous writer Chingiz Aitmatov writes in his novel "Kunda": "Life, death, love, passion and inspiration are all sung by music, because we achieve the highest freedom through music. we have struggled throughout our history, but we have only achieved it through music."
RESULTS
The masterpieces of music created by our people find a certain sacrifice in every second - in education, work, social relations. National music teaches to understand and appreciate the surrounding events, beauty, equips with delicate taste and free thought, expands the spiritual world. It is no coincidence, therefore, that music is called a philosophy without language.
Music can soften a person's heart and evoke feelings of love, compassion, and faith in it. At the same time, the task is to express the ideas of mysticism in accordance with the ideology of the great state. Naturally, the study of these complex scientific issues is entrusted to leading musicologists in all respects.
The issue of shashmaqom is one of the least studied areas in the history of our music culture. The study of it and the science of theoretical analysis, as mentioned above, is one of the most difficult issues.
Although musicologists tried to write maqoms in the last quarter of the 19th century, they were not studied scientifically. Shashmaqom only began to be taken on a modern note from the 1920s onwards. The first to do so was Professor V.A. Uspensky entered, and Shashmaqom, which he took note of, was published in 1924.
The Khorezm version of Shashmaqom was first partially recorded and published by musicologist Y. Romanovsky. This book also contained only the musical instruments of the Khorezm maqoms. In the following years, Khorezm maqoms were collected,
recorded and published by M. Yusupov. In recent years, Shashmaqom has been compiled and recorded by Yu. Rajabiy.
CONCLUSION
Throughout its centuries-old history, art has gone through a period of ups and downs. But his succession ties were never broken. Even in the most difficult times, it is revered as an expression of the nation's spirit, a powerful factor that encourages goodness. As soon as favorable conditions and creative conditions arose, it regained its social significance and aspired to new heights, which reached the test of time. Even today, at the height of scientific progress and the introduction of incredible communications, this magnificent art has not lost its status, and its priceless heritage, the spiritual ocean, is revered as a national pride.
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