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CONTEMPORARY STAGE ART PROBLEMS IN THE THEATER CRITIC A. SYGAY'S WORKS
Sarybay M.
1st year master student T. Zhurgenov Kazakh national Academy of Arts
Almaty, Kazakhstan Yerkebay A.
associated Professor, candidate of art history T. Zhurgenov Kazakh national Academy of Arts
Almaty, Kazakhstan
Abstract
This article conciders with the famous theater critic, Professor Ashirbek Sygay's other research works, devoted to the problems of national stage art. In his works "Tolgam" and "Stage world" development modern tendencies of the Kazakh theater are considered. This topic investigates main problems of the academic theaters and regional creative teams. The authors expressed their opinion on the theater critic's optimal ideas, conducted an analysis of the evaluation of the Director's tracks and acting skills. Also, the object of the study was A. Sygay's reflections on the national drama.
Keyword: Kazakh theater, theater critic, Director, actor, drama.
Currently, in the field of art studies were published huge number of research works, popular science materials, reports, analytical works. These searches are of great importance for clarifying the place of our multinational people in the world. Therefore, art studies still need to be filled with deep formulations. At the same time in the modern theatrical art criticism the lack of original researches about creativity of theaters which make a part of art criticism science of Kazakhstan is shown.
People who hold the key to the great profession of theatre and theatre-specialists who theoretically and journalistically study the history of the country's theatres, orientation, various searches for creative character, winners and players. The main aim of this profession - the preservation of the relationship between audience and stage, bringing performances to the public with the performances analysis, to popularize them in the media. In this regard, there is a need to determine Ashirbek Torebayevich Sygay's creative appearance, critical activity on the basis of his works by and one of the Kazakh theatrical science founders.
During a quarter of a century there was a lot of research about the state of the Kazakh stage art and criticism of the Kazakh drama. A. Sygay is a popular name in the category of elegant critics, denoting today and tomorrow, showing knowledge, skills, convincing what is said, what is shown by the conclusions. He has some writings, deeply and comprehensively analitical decisions as a Director and the actors' play, comparing the artistic integrity of the performances and creative portraits, rich in diverse samples about the actors, Directors published in the pages of the periodical.
The theater science development in Kazakhstan is inextricably linked with the writer's name of theater and art, laureate of the state prize of Kazakhstan, independent platinum award "Tarlan", owner of the "Kurmet" order Professor A. Sygay. In this area, he has asked for more than half a century of his creative life,
grown up together and seethed together. As a prominent educator in this field, many cases were brought. He became a master of the Kazakh theater, made a great contribution to culture. He was one of the great citizens who loved his nationality.
Criticism - is an analysis conducted to evaluate something, to correct shortcomings. "Observation, testing, verification in connection with the performance of a certain case" [1. 389]. As you know, theater criticism in Russia was born with the advent of professional public theater in the middle of the 18th century. As a result, theater criticism began to be closely associated with the socio-political situations in the country in the 18th and 19th centuries. According to V. G. Belinsky "the main goal of theater criticism is to assess the role of theater in society, which has become a reflection of important events in society" [2. 145].
Theatre critic A.Sygay devoted half of his life to investigate the Kazakh theatre; especially he could build a golden bridge between the spectator and the theatre. Reading his about 15 newspaper and magazine articles and investigative works and his thoughts during the tours and festivals, we can understand that he was well-educated and had very literary speech. A.Sygay was one of the out standings because he could say everything open and directly, he made acute critics about the performances and about players too using scientific terminologies, because to use literary speech made his speech charismatic nevertheless using simple words.In this regard, the theater has critical articles written by A. Sygay about the Kazakh theater.
Various theatre festivals, celebrated at the international or national level - it's the holidays that inspire criticism of thoughts and inspiration. After another festivals together has become a usual habit for the audience and other professionals of the theatrical sphere.
Questions about the Kazakh theater will be covered in the author's work "Tolgam". This book consists of three parts, the topical issues of Kazakh drama and theater are widely covered. People, cultural and aesthetic, spiritual and social outlook, their tastenot everyone knows that the theater art in the education of the importance of visual perception. So, leaving to the world the real scene in an uncontested tender tegersee sherter labor cleos their readers. In this work, where the creative destinies of the authors of plays and performances are analyzed quite interestingly. As well as well-known figures of culture and life of various, included in the collection of literature humor, jokes-liked more to relate to a common find.
The first part, called "Bastau", consists of a large research article called "ancient genre". The critic received the main core of this article-the genre of drama. The legendary Shakespeare tells about drama, which is complex in comparison with other branches of literature, limited in scope and directly connected with the stage. The first part, called "Bastau", consists of a large research article called "ancient genre". The critic received the main core of this article-the genre of drama. The legendary Shakespeare tells about drama, which is complex in comparison with other branches of literature, limited in scope and directly connected with the stage. Chekhov, who has "never seen", and the scene honored by Shakespeare's dramatic drama "frustrated" by the tragedy, highly appreciated Griboyedov's "Wise Thoughts" by fossilized works into a single piece of the story. The number of real writers, both in us and in other nationalities, is in the interest of dramatists. For the first time he developed a conceptual formulation about the playwright. Critics say, "... If we only want one drama to be readily available, any material and spiritual may be in crisis. The only person who can endure the difficulty can only deepen the mystery genre. However, one thing to remember is that the laws of dramatic art itself, the lack of understanding of its stage systems - a sign of patriotism. And it was not easy for Miller and Schiller to ride on the page that he had built. "[3.5]. He also criticized the directors who could not create the stage setting, accusing the Kazakh dramaturgy of being simply eye-catching, too dim, acting stubbornly in a motionless, plastic manner. Thus, the dramaturgical community is justified. As the critic writes, the name and merits of Mukhtar Auezov, the classic of our literature, the trace of our national dramatic art, can not be regarded as separated from the socio-political and spiritual life of the Republic. The first half of the twentieth was the beginning of the Kazakh professional drama theater and the theater, which was the basis of the national culture, the process of growth, the famous art figure, the healthier. The critic, in the course of the article, has also cited the strange truths that we have never had before. For example, it is not a secret that most of us do not know that M.Auezov's "Alua", written in 1953, has not been staged yet. It is true that even though we do not know that there is such a work of the playwright. A.Sigay said about this play: "... The academic theater, which was named after the Magnificent artist, took a few steps in this world and
was inexperienced. "Alua" is distinguished by the nature of Auezov's famous epic or historical-biographical theme included in the golden fund of Kazakh literature and art, such as "Abay", "Karakoz", "Enlik-Kebek", "Koblandy", "Aiman-Sholpan" , an artistic aesthetic power, a unique work that does not duplicate the aforementioned works on the subject. "[3.6]. Thus, by analyzing the publicly-familiar "Alua" play, it leaves valuable information about the work. The author also tests the rhetoric, slogans, and sounds of the rhythmic tone, which are perceived by the poster's pope and some of the characters in the narrative. We hope that the newest data in this book will be a great deal for future theater teachers. The reason for this is to add the A.Sigay's opinion to the idea of a particular non-staged play that will increase the value of any research work.
In addition, during the analysis of the work, in comparison with other books by A. Sygay, it is possible to notice the priority of critical activity through this collection "Tolgam". Because the theater critic in this work reveals the opinion of the Kazakh theater about their primary sides. The names of the Director Zhanat Khadzhiev and Bulat Atabayev, who became critics of the Kazakh theater direction, are often called. "It is no secret that these days begin Hobbies of his brothers aksakal A. Mambetov. It is the law of time. In particular, he noted that currently Kazakhstan is actively working on the development of small and medium-sized businesses, including the development of small and medium-sized businesses. Theatre without direction-orchestra without conducting. Both Directors are people who deserve the attention of the country with their work. We experience a little abstained steps, love success. "We believe that they are looking to the future, not that they will love a guy who is proud of the country. "[3.13], - say the Directors about the progress of work in the theater, as well as confidence in the future. In the analysis of dramaturgical works, the dramatists who made these works on paper do not remain without attention.
The second part, called "Exploration," tells about the success of the Kazakh theater of the M.Auezov Academic Drama Theater "Karashanyrak". Bearing in mind the spiritual heritage of the history of the theater, aesthetically subtle property, it acknowledges that the values of spiritual and cultural demands are embodied in the embodiment of the wonderful world of theater -the immortal law of life. It is well-known that there are few intellectuals who have not expressed sympathy for the bright future of this main theater since the first days.
One of the main innovations in A.Sigay's work is not only to analyze the past, but also to define future goals in the theater production team as a plan for the future. The goal of the future is to demonstrate that we have a civilian duty: "The number of viewers decreases, and on the other hand it is impossible to fill the rooms. The person who wants the theater wants it. There is also a small need to do more. It is good to take into consideration the next hall of the theaters "[4. 193] - the fear of the future of the theater. It is no secret that in a modernized cultural society there are different opinions about the future of theater art. One suspects the future of theater art, while the other one proves that the theater
works as one of the purest art. In this context A.Sigay notes that in the future theatrical art will be modernized, and even the scenes will reduce the size of the former, and will share their thoughts on the future trends in the Kazakh theater, its shortcomings and gaps: "From the European elements entering our art We should simplify the procedure. Even though we all did, the British did not give us the Shakespeare, the Frenchman Miller, the Germans Shiller and the Russian Tolstoy. It is true that we can not master the art of their art. We respect universal classics, but nevertheless, we have to study the great tradition of Auezov and Musrepov not to go beyond the borders of the nation, to criticize the nation. We Learned. We could. What kind of model do we have from us? "Cried the author.
It is well-known that there are many world classical works on the stage of today's Kazakh theater. This issue has been underestimated in the critique of the criticism. "Modernization of the stage image, classic and artistic features of the classical world with the present visual, modern feeling is a requirement of life and the present. Not every performance will be heard, not for the audience, but for the audience. That's why I'd like to elect your repertoire, and I'll tell you about the drama drama. "[3.193].
One of the most up-to-date issues in the book is called "Professional Skills in Actor Art". Through this article, the author reviews five key issues in current Kazakh actor schools. First, the author points to the student youth texture that comes to actor art. The actor's world, the general scene, is that beauty is just a matter of beauty, and it turns out that beautiful young people have come to this kind of art. Secondly, the actors who have been trained are suggesting that the movies they are watching are flawed. While reading this article, it is good to see that some of the above-mentioned issues are improving. It is known that at the present time the walls of the halls of art are raised by well-off guys and beautiful girls, as well as domestic television series and films. As a third criterion, the fact that the kindergartens were destroyed, as many puppet theaters as before, point to the absence of artificial light in the teens' consciousness. Today, this issue has been coming to an end thanks to the systematic policy of the Head of State. As for the state puppet theatre in Almaty, it is possible to lay the Foundation for the annual international puppet festival and a theatrical stage with the audience. At the end of the article, the Author noted that the first is to increase the prestige of the acting profession, secondly, not to increase the number of low-quality actors from the earth, thirdly, holding various festivals to improve the experience of young dramatic artists, fourth, improving the quality of national theaters, fifth, holding problem conferences dedicated to the work of the actor by research institutes.
In the work of the author "stage world" [5] collected articles about the diversity of the scene", "art, expanding the field", " on theatrical recordings." The author feels the breath of the received object well. The collection contains a large number of its own conclusions, conclusions, achievements and shortcomings, substantive problems. Everything that
deserves that the growing art was on tomorrow, on the way to its future.
For a quarter of a century, a lot of thoughts about the state of the Kazakh stage art and criticism of the Kazakh drama. She is known in the category of elegant critics who define today and tomorrow, show knowledge and qualifications, whatever, stopping, convincing persuades. He compares the artistic integrity of performances, rich problem critical publications on the pages of periodicals, creative portraits of actors and Directors, playwrights, a lot of competent records, deeply and comprehensively analyzed the decisions of the Director and the play of actors. In this regard, in accordance with the Law of the Republic of Kazakhstan "on religious activities and religious associations", as well as in order to implement the Law of the Republic of Kazakhstan "on religious activities and religious associations", the Government of the Republic of Kazakhstan decides: 1.to approve the attached Rules for the organization and conduct of religious events aimed at strengthening religious tolerance and interfaith harmony. Since most of the monographs are collected from articles published on the pages of the media.
He understood well that from critical articles which write about science, the nature will be allocated, to be guided by an independent orientation, one object of research. Therefore, all the problems associated with folk art and Kazakh theatrical art were comprehensively studied in the works of A. Sygay. In his works, the Author comprehensively analyzes the shortcomings and features of modern Kazakh theater and drama, problems with high elegance, elegance, justice.
One of the distinctive features of critical works is the consideration of performances in a professional theatrical attitude, evaluation of the work of the Director and playwright, actor, study of their first sides, as well as consideration within the framework of the nation and society. This is one of the problems that has remained without the attention of professionals in many industries. Each person for the purpose of creation and realization of the work can independently think, work unilaterally. Thanks to the formed ideology, despite the political position, the problems of public, social nature do not concern them at all. To think about it does not enter into your consciousness. Later they think only after the statements of journalists and critics. This shows how heavy the critical service load is.
This book is mainly devoted to performances staged in the academic drama theatre. Thus, the creative field of the theater can be recognized clearly and clearly. Here the author presented a summary account of the spiritual existence of great art, about which he spoke and wrote. During the meeting they discussed the main directions of the Message of the President of the Republic of Kazakhstan N. and. Nazarbayev to people of Kazakhstan "Nurly Zhol-path to future", as well as the implementation of President's instructions voiced in the address to the people of Kazakhstan "Kazakhstan's way-2050: common goal, common interests, common future". In the end, this is not the quality of works written about this theater. In the Kazakh theater.S.
Seifullina held a solemn meeting dedicated to the Day of the First President of the Republic of Kazakhstan, which was attended by akim of the region Archimedes Mukhambetov, akim of the region Archimedes Mukhambetov, Chairman of the regional branch of the party "Nur Otan" Nurlan Nogaev, akim of the region Archimedes Mukhambetov, Chairman of the regional branch of the party "Nur Otan" Nurlan Nogaev. One value of the book is that the author is fluent in the material, is able to describe the object he has received in a more skilful and skilful way.
"The theatrical performance, which founded the dramatic text, is a kind of socio-historical context of society. And the reality in the theater as a process of transformation increases several times. Life, based on the text, needs the image of the theater, the viewer, especially in the artistic decisions made by the theater critic. Under the artistic solution we include acting, scenography, lighting, musical choreography, which reflects not only the realities of life, but also introduces a new artistic idea" [6.56], - says the Russian theater critic D. Litvinova in his work " the role of theater
criticism in the education of the audience." In connection with the above analysis, theater critic A. Sygay, as one of the few people who have gone down in history as a specialist in the theater industry, meeting all the requirements set out by the researcher, especially in the field of art criticism.
REFERENCES:
1. Sygay A. Tolgam. Almaty: "Parasat", 2004. 285 p.
2. «Kazakhstan»: National encyclopedia / Head editor A. Nyssanbay - Almaty: «Kazakh encyclopedia», 1998. V part.
3. Markov P.A. Theatre critic // Theatre encyclopedia. 5 part. P. 5 / published by M. 1967. p. 135-147
4. Sygay A. Syr sandyk. Almaty: «Oner», 1981. 215 p.
5. Sygay A. Stage World. Almaty: «An Arys», 2009. P.2. 336 p.
6. Litvina D. Theatrical criticism is the factor that causes the theatrical and the astrologers. Bulletin.Omsk State Technical University, 2010. 103 p.
