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9COMPOSITION OF COLOR AND FORM IN THE WORKS OF ARTISTS
Murodjon Anvarovich Temirov temirov_ [email protected] Sarvinoz Xayrullo qizi Oribjonova
ASU
Abstract: It is emphasized that the significance of the landscape genre in the visual arts, its compositional solutions of form and color in the work of famous landscape painters, the physiological and psychological impact of natural landscapes is one of the urgent tasks. the genre of landscape, research by scientists, the study of artists' creativity The study of the theory of chosen colors and the spirit of painters in the visual arts is taken as an object.
Keywords: fine arts, landscape, composition, color, nature, form, rhythm, emotion
Baria, a young artist, creates her work by studying painting methods and compositions that have a profound effect on the viewer, along with the heritage and experience of past masters.
Elements of composition are practically necessary. The law of integrity, the content of the means of analogy and contrast, submission to the idea are the main laws of composition. The signs of this law are fully and deeply analyzed in the book by E.Kibrik, because the first sign of integrity is observed in the composition, so the work of art appears as an indivisible whole.
Realistic art does not accurately express the truth, but also glorifies the feelings, aesthetic beauty and imagination of the artist. The artist discovers aesthetic qualities in the artistic image, novelties in the solution of the composition.
We see aesthetic discoveries in the immortal works of Michelangelo, Titian, Rembrandt, the compositional structure in the works of A. Deneyka, A. Plastov, K.
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Yuon, the concept of novelty in the plot from artistic means. this is in Polenlov's "Yard in Moscow".
In ancient Chinese art, artists created works depicting nature. The history of the landscape in Europe developed in the 16th and 17th centuries. Dutch landscape painters have made great strides in the realistic depiction of nature.
The development of the landscape genre in Russia dates back to the 18th century. The architectural monuments of Moscow and St.Petersburg were masterfully depicted by F.E.Alekseev.
Landscape art reflects the beauty of the surrounding world and has the power to positively influence a person, so the artist expresses his aesthetic attitude to nature through the realization of the finest, typical states of the natural world, color harmonies.
In his landscape works, he glorifies personality, intellect, inner experiences of a person through images and creates an image of nature. As an example, we can cite "Vladimirka" by I. Levitan and "Thoughts about the Urals" by A. Meshkov.
Works of the landscape genre in the visual arts form the qualities of love and beauty in a person.
Works of the landscape genre in the visual arts form the qualities of love and beauty in a person.
In the 1950s and 1970s, the artists who created the landscape genre of Uzbekistan were O. Tansikboev "Warm Lake", "Motherland", "Kyrkum Reservoir", N.Korakhan "Nanai Yoli", "Spring in Sijak", R.Temurov created a series of architectural landscapes of Samarkand.
In the 1970s and 1980s, such artists as G.Abdurakhmonov, F.Tokhirov, R.Choriyev, K.Bogadukhov, M.Esin, and Pudovkin worked effectively in the landscape genre. At present, many sought-after folk artists of Uzbekistan, such as A.Nuriddinov, O.Kozakov, A.Mominov, A.Mirsoatov, create enchanting landscapes glorifying the beautiful nature of independent Uzbekistan.
There are several types of landscape:
These include urban (architecture), rural (mountain), industrial (plant, factory, construction), historical, romantic, lyrical, panoramic (view) scenes.
Each of them is based on an expressive content and idea. The compositional image of urban life, architecture, transport, people, recreation, parks and underground passages is illuminated in the urban landscape.
In the rural landscape, the basis of the composition is the image of the vast expanse, mountain landscape, meadows, rocks, plants, sparkling water in the valley. The industrial landscape is associated with a large factory yard, reservoir, bridge, subway construction, technical construction equipment.
In a lyrical landscape, we recreate nature, the subtle, quiet beauty of nature on such themes as "Early Morning", "Spring", reflecting its state of awakening, which brings universal joy to a person.) landscape. Among them: the choice of place, point of view, line of sight, spatial distance, format, perspective, rhythm, color, light, reflex, center of composition.
To create a composition in this genre, you must have excellent knowledge in the field of pencil drawing and painting. If we want to describe the composition of a rural landscape, then first of all it is necessary to carefully observe the characteristic places of sunny, cloudy days, noon and evening in nature. You need to define the viewpoint of the skyline by defining a format. Then you need to determine the proportions of air and earth on a plane, find the foreground, background and scale of objects. The composition is recommended to be performed with charcoal, having previously selected several options.
It is necessary to determine the color scheme of the ideally executed version of the draft sketch. On the basis of a well-executed sketch, the final copy of the
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composition of the rural landscape should be practically completed. The conditions for its execution are realized through paper, cardboard, canvas, watercolor, gouache, watercolor.
Works in the landscape genre nourish a person spiritually, inspire him, bring happiness and joy to life.
Composition is a product of creative, artistic expressiveness of the author. Therefore, the creation of a composition in all genres of fine art requires a high level of knowledge, skills, competence, skill and potential.
Therefore, future teachers of fine arts should be prepared for comprehensive activities from the moment they receive their education in a family school.
References
1. Abdirasilov S. Tolipov N. "Rangtasvir'Toshkent, 2005
2. Ижодимиз хдвдда гапирсак. -Т., 2009.
3. Yusupova N. ranglarga yashirin sirlar.-T T.:DAVR PRESS,2010.-152 б.
4. "The Color Guide and Glossary". 2004-52 b.
5. Abdirasilov S. Tasviriy san'at va uni o'qitish metodikasi. - T.: Ilm-Ziyo, 2011.
6. Daniel S.M. "Kartina klassicheskoy epoxi" Uchebnoe posobie. M., "Iskusstvo", 1996. - 82 s.
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