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9AS A MEANS OF REPETITIVE ARTISTIC IMAGERY (ACCORDING TO THE
WORKS OF ZEBO MIRZO)
Sevinch Jamoliddin qizi Sharofova
A student of Samarkand State University
Research advisor: Dinara Islamova
ABSTRACT
In this article a one of the maens of experessionimage in poet ZeboMirzo's poetry is presented too many different kinds of repetitive that are used skillfully in the poet's poems by several examples.
Keywords: repetition, anaphora, akromonogramma, epiphora, ryphma, epistrophora, alliteration, hoop, syntactic repetition.
A sophisticated heart of the human who regards as the best creature scrambles for love and attention in love. As fora divine sense of love, it is disease unforgettable,in addition to the only ever-green flower which doesn't depend on time and place. This holy sense is a one of main themes in the poetry of ZeboMirzo. ZeboMirzo is a perpetual singer of homesickness, love in her poems is sung in high acts on the scene and separates from others owing to not only its own beauty but also effect of her works on all of the people. Meanwhile, this identity of features refers to her own skill which is to use skillfully froma means of artefact experession image. Repetitions that are used in ZeboMirzo's poets are particularly important. In her poetry, repititions were used in place and supported to increase artifact aesthetic essence of poet.
Repetition is the one of the stylistic figures which are used a lot in artifact style of the uzbek language. As can be in all methodical means of non-fiction, It is loaded on repitition's shoulder to give tasks of emotional colour, identity of artifact sound and emotion. [2.54-55]. While we read her own poems, we witness a great deal of types of repetitions. Especially,the one of repitition's form, is used the most, is anaphora.
Anaphora is a one of the strictly systematic repititions. It is a word at the beginning of
the poem or misras in the section, or else it is coming at the beginning of the next misras and combination of words. [1.434]. We can witness by the example of poem "Anger" of hers:Live without me,
Laugh and cry without me May all of your time spend without me A time when you want me May your spirit leave from your body[3.28]. In this poem a woman-poet emphasizes the subject of image by repeating the word of "without me" in three misrasand this way makes up anaphora.Repetative coming of the
word of "without me" at the beginning of three misras do not cause the methodical strangeness in the poem, by contrast it helps to increase the meaning of emphasis. The other wide-spread form of repitition is akromonogramma. In akromonogramma if two misras and a band finishes with which sentence, the second one begins with this kind of style. Whereas, a word and a combination of word is repeated by this way in its other forms. [2.58]. We can see anexact example of it in ZeboMirzo's poem called "Finish": I will leave For him I
excused I excused my
last enemy I' l live in the
country of mountain [4.30].
In this band we can see that a woman poet used the phrase of "I excused" at the end of the second misra and at the beginning of the first misra in order to increase the emphasis, give an emphasis to the lexicon of "excuse" and make it center of the meaning, by this reason akromonogramma appears.
There is a one kind of repetitions that sounds, words and the word phrase at the end of the sentence repeats and this is called epiphora in subject. [2.58]. We can see the identity example of epiphora in this following poem of hers. I gave the
morning breeze My life as a whole
I gave a begger then The last of my penny I gave the lord my own The breeze went forward And gave it to the begger, The begger gathered all And gave the lord. The lord has given me To you - mistake,
To whom you believed me, Could you
afford? [4.49].
In the above poem of woman poet's the repetition of "I gave" in the first three couplets as well the repetition of "give" the last three couplets bears epiphora. The repetition of words in this poem creates harmony and enhances the aesthetic pleasure of the poem. Affixes, words and word phrases in the other identity kind of repetitions comes repeatedly in ryphma (rhyme)[2.57]. We can see the bright example of repetition in ryphma in the poem called "Conversation with Kumush" by ZeboMirzo: Do you not walk in the sky like the moon Do you
not make greedy people's heart crazy In order to die at
your door Do you not feel Otabek
himself is sacrifice
(Moh bo'lib osmonlarni kezmaysizmi? Baxillar bag'rini bir ezmaysizmi? Eshigingiz poyida jon beray deb Otabek o'zi qurbon, sezmaysizmi?) [3.36]
In these misras, coming repeatedly of the negative form of the verb (-ma), the form of the future tense (-y), second person singular (-siz) and question-emphasis particle (-mi) after rhymed words (kez, ez, sez) creates the repetition in ryphma and strengthen the emphasis enhancing the prestige strength of the meaning.The other wide-spread kind of repetitions is called epistropha. In epistropha two couplets and a band begin with a one word or a phrase, they finish with these words. [2.59]. We can witness an example of epistropha in the poem called "Devote it" by he:
Devote a glass of life-wine And a
kiss of taste-love, devote Devote nosorrow
too much of anger And a good time of your
love, devote[4.63]. In these two couplets, the
word of "devote" that is used at the beginning of the first misra and at the end of the fourth misra creates epistropha. Meanwhile by using it at the end of the second misra and at the beginning of the third misraakromonogramma is created. There is a kind of repetitions that a poet usually repeats the central word which is important for poet and makes up the plot of works at any places of poem, that is, beginning, middle and the end. This is called "bundle" in subject [2.61]. We can see the exact example of bundle in the following poem of hers:
Memory of light isdeep inside my eyes A
thousand-mutiny shivers on my breast I am
alone at the door of regret Open your
door, the sky The sky [4.32]
In above five-misra poem given by a woman poet, the word of " the sky" is repeated ten times and this word services to strengthen the emphasis of image -object,likewise, make up the plot of poem. In her own poems, we can witness the repetition of the word, affixes as well as the repetition of the sounds. The kind of repetitions of sounds that are wide-spread used is alliteration. Alliteration is to repeat the same consonant sound in a poem, sentence, band and a partial prose work. We can see the example of alliteration in the following poem by her.: In storm of your
Invincible hair In the miss of a burning love Before spreading my feeling on years Before spreading my presence on non-existence
[4.58]. In the first misra of the
poem alliteration is created by three words beginning with " I" (in, invincible, in) and two words beginning with " B" (before, before). In one words, repetition of the words beginning with these letters enhanced the quality of the poem and emotional effect-energy.
In her own poems, not only repetition of word or sound but also repetition of sentences are important. The kind of repetition according to the repetition of sentence is called "hoop" .Hoop is a one kind of wide-spread literary repetition. The identity of this style is that misra, couplet and even band written at the beginning of the poem are exactly repeated at the end of the poem [1.437]. We can see the example of hoop in the poem called "Your eyes are so beautiful" by ZeboMirzo:
" Your eyes are so beautiful" You
said sadly under your breath The sky walked
over my head Cranes returned in the
moon of underneath.
The first misra in this poem are exactly repeated at the end of this poem: A heart felt...
The night returned trembly. The sky was moonlit, starry...
" Your eyes are so beautiful" You said
sadly under your breath [3.17].
Likewise, you can see the repetition of misras which regard as the kind of syntactic repetition in poems of hers: I am still that Stubborn queen.
With an old cloth, the sky in breast Not
worth her while but you Not being
victim for others but you [4.67]. If the woman
poet repeats the first misra at the beginning of every row in this poem, in the following poem she repeats two misras which are at the end of the first row at the end of every row: If I look, my eyes
burn, If I give my hand,
my heart makes blue If I say it is sin, if I don't
say it is pain What a bad disease ?
What a bad death?
Using this kind of repetitions in her own poems doesn't have an influenceon the literary energy of the poem. Vice versa it increases the effective strength of the poem. Besides it provides the attractiveness of the poem.
Al in all any means of repetitive artistic imagery used in the woman-poet's poetry helps to increase the literary energy. The proportion of repetition is incomparable in it. In the examples we read above a woman poet increases effective strength, attractiveness and melodyof her opinion she wants to say by a means of repetition. ZeboMirzo, who feels divine means of the word, creates the beautiful and unique examples of the poem which is wealth of the heart in the identity way of uzbek poetry. Appearing of being in love and taking deep place from everybody's heart of the poems by ZeboMirzo who is a singer of love is the reason why she masterly used the literal word and a means of artistic imagery.
REFERENCES
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