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4of human activity that can destroy it, and the protection of humans from the adverse effects of an environment changed as a result of anthropogenic factors.
2. The designer of the architectural environment bears responsibility for the quality of their design decisions and can have an impact on the well-being of people in the surrounding space, whether it is an interior or a fragment of the urban environment.
3. Biophilic design, which combines several disciplines (ecodesign, floristics, biodesign, etc.), is not just a trendy style of architectural and design planning, but forms a new way of design thinking, based on the belief that humans are part of nature and are inextricably linked to it.
4. Biophilic design will allow cities to better adapt to stresses that arise from climate change and thus the local environment.
5. The results indicate that biophilic design and planning can be considered a useful paradigm for addressing the challenges posed by the city of the future, including in terms of resilience, by rethinking and improving the relationship between humans and nature in the urban context.
The research goals, such as developing students' abilities for observation, quickly perceiving proportional, constructive features and light-tonal relationships, fostering creative activity and initiative, artistic needs and aesthetic taste in the context of visual arts, have contributed practical skills to the creative nature of artistic exploration. This provided the opportunity to flexibly manipulate imaginary models of the object in the mind and visual forms, techniques, and space, directly determining the sequence of the creative learning process, mobilizing students' creative efforts, stimulating the invention of original solutions, and aiming at the development of an individual authorial style.
References
1. Boychuk O.V., Halushka O.O. Main directions of eco-design development. Formation, development, and current problems of higher artistic and industrial education in Ukraine: abstracts of All-Ukrainian scientific-methodological conference. Kharkiv: KPI, 1996. P. 28-29.
2. Bondarenko I.V. Ecological approach in environment design: requirements and advantages of using modular objects. Bulletin of Kharkiv State Academy of Design and Arts. Kharkiv: KhDAAD, 2011. No. 4. P. 8-10.
3. Vasina O.V. Design thinking in the context of the ecological paradigm. Bulletin of Kharkiv State Academy of Design and Arts. Kharkiv: KhDAAD, 2016. No. 6. P. 4-8.
4. Iovlev V.I. Architectural space and ecology. Ekaterinburg: Architecton, 2006. 298 p.
5. Prusak V.F., Lukianchuk N.G. Ecological design: a textbook for students of the specialty 8.020210 "Design" of the educational qualification level "Master". Lviv: RVV NLTU of Ukraine, 2008. 134 p.
6. Lomov, B.F. Unity of theory, practice, and experiment in psychology URL: https ://studme.org/278721/psihologiya/edinstvo_ teorii_praktikieksperimenta_psihologii_lomov
7. Ryzhov A. Biophilic design: return to nature. 2018. URL: http://green-city.su/biofilnyj-dizajn-vozvrashhenie-k-prirode/
8. Biophilic design. Estate Magazine's author: online journal. - URL: https://estatemag.kz/biofilnyj-dizajn/
9. The Universal Declaration on Bioethics and Human Rights / Declarations -URL:https://www.un.org/ru/documents/decl_conv/dec larations/bioethics_and_hr. shtml
10. Biophilic design - connecting with nature to improve health & well being/ [Online resource]. - URL: https://www.oliverheath.com/biophilic-design-connecting-nature-improve-health-well
Tyurikova Olena,
candidate of educational sciences, associate professor, of the Department of architectural environment design, Odessa State Academy of Civil Engineering and Architecture
Nedoshitko Oleg, Аssistant professor,
of the department of drawing, painting and architectural graphics Odessa State Academy of Civil Engineering and Architecture
Lazareva K.M., Мaster of architecture, of the Department of architectural environment design, Odessa State Academy of Civil Engineering and Architecture
APPLICATION OF ART - METHODS IN THE ANALYSIS OF THE COMPOSITION POTENTIAL OF
OPEN SPACES OF THE CITY
Тюршова О.М.,
кандидат педагогiчних наук, доцент кафедри Дизайну архiтектурного середовища,
Одеська державна академiя будiвництва та архтектури
Недошитко Олег Михайлович Асистент кафедри рисунку, живопису та архтектурног графжи Одеська державна академiя будiвництва та архтектури
Лазарева К.М. Магктр архтектури, група 507ДАС кафедри Дизайну архтектурного середовища, Одеська державна академiя будiвництва та архтектури DOI: 10.31618/ESSA.2782-1994.2023.2.88.339 Summary: The article considers the compositional possibilities of art methods in the design of open spaces. Using the example of art interpretation of fragments of general plans of various nature, compositional potential and structural connections revealed. The topicality of the specified topic is due to the general design of life, the priority of "emotional consumption. The visual and sensory material of art becomes a source of design innovations. The issue of expanding the spheres of creative research, borrowing means of artistic expression, the emergence of new forms of synthesis of design activity and art attracted the attention of many theoreticians and practitioners. Compositional aspects of the application of art methods require testing and theoretical generalization. This makes the research problem relevant - the application of art methods for the compositional analysis of open spaces.
Анотащя. Стаття розглядае композицшш можливосп арт- методiв в проектуванш ввдкритих npocropiB. На приклад арт- штерпретацп фрагменпв генплашв pi3Horo характеру, виявлено композицшний потенщал та структурш зв'язки.
Актуальшсть визначено! теми обумовлена загальною дизайнерiзацiю життя, прюритетом «споживання емоцш . Образно-чуттевий матерiал мистецтва постае джерелом проектних шновацш. Питания розширення сфер творчих пошушв, запозичення засобiв художньо! виразностi, появи нових форм синтезу проектно! дiяльностi та мистецтва привертали увагу багатьох теоретиков та практиков. Композицiйнi аспекти застосування арт-методiв потребують апробування та теоретичного узагальнення. Це робить актуальнею проблему дослiдження - застосування арт-методiв задля композицiйного аналiзу вiдкритих просторiв.
Keywords: art methods, compositional potential, open urban spaces, compositional analysis, art interpretation of open spaces.
The object of research is art methods as a phenomenon in modern project practice.
The subject of the study is the possibility of applying art methods in the compositional analysis of open spaces.
The aim of the study. Approbation of art methods in the compositional analysis of open spaces. Task:
1) to define art methods in the design practice of Architectural Environment Design;
2) to reveal the artistic potential of environmental formations (open spaces) at the level of the general plan;
3) try out art methods for compositional analysis of master plans of open spaces.
The modern design paradigm emphasizes the absence of canons, the priority of the emotional [1; 3]. Art is considering as an emotional tuning fork of the environment, therefore it is advisable to look for design innovations in the field of artistic activity. The emergence of new forms of synthesis is indicated by A. Aronov, N. Barsukova, B. Glazychev, M. Morozova, S. Mykhaylov, I. Rosenson, N. Chernyshov and others [14]. Art methods in environmental design are distributed as a means of activating the figurative component; designers borrow various artistic means, perform "translations" from the language of various arts.
Art interpretation of open spaces have be done thanks to the use of artistic languages, stylistic mix, means of individualizing the image, experimentation in the field of form formation, etc. The implementation of techniques of avant-garde art allows you to create a
self-worth object that has artistic and cultural value. Open space acts as an art object, a work of art, which is limited by location, purpose, content, scenario of use, and perception (D. Scheplen). S. Barton, B. Blemink, D. Judd, L. Coles, T. Maldonado, G. Reed, V. Flusser, F. Ashford, etc.) [2-4] emphasize that innovations are expressing in an associative approach, subjectivity, compositional unity at all stages of development and perception of the environment. Art methods translate open space into the sphere of artistic culture. The designer acts as an artist who projects emotion. At the same time, the forms of the environment act as a "chameleon", "hidden reality", adapting to various interpretations, reacting to external factors. The result of the design process, acquiring the qualities of abstract art, becomes an "aesthetic transformer". We consider art-methods as a means of translating project documentation into the sphere of art, providing architectural drawings with aesthetic self-sufficiency. Abstract art acts as a tool that focuses on emotional and value priorities and flexible form formation. The newly formed composition takes into account the peculiarities and dominants of visual perception: layering, volume or space. This determines the specifics of the interaction of elements, ways of achieving visual integrity, artistic expressiveness, and aesthetic value.
On the example of student works, structural-compositional and aesthetic thinking are demonstrating thanks to formal improvisations on the plane, solving the tasks of organizing the plane, volume, space, studying techniques and methods of "transforming" the
plane into a three-dimensional and spatial structure (pic. 1).
Pic. 1 Exercises on the organization of spatial composition based on the motifs of avant-garde art
(A. Zalogina, 3rd year).
Based on the analysis of theory and practice, we single out art tools and methods:
- from the field of decorative painting using of reverse, linear and tonal perspective, the coincidence of projections, the general contour, convergence in color and tone, the interweaving of plans, the combination of local colors, etc.;
- using methods of showing three-dimensional figures with the help of emphasized detection of faces and edges of objects; use of local color, plastic and color modeling, color and tone contrasts, etc.);
- combination and mutual complementation of techniques and methods: graph-analytical, scenario modeling, scenario oppositions; symbiosis of graphic, color, plastic, volume-spatial (mock-up) tools.
The artistic image arises at the expense:
- encouragement of the mechanisms of inclusion of images-feelings, images-perception, imagesimagination to the semantic structure of knowledge;
- construction of artistic meaning in various models of behavior;
- use of methods, techniques and means of formal composition and art design;
- implementation of the multivariate solution of each task.
The 2d picture shows an art interpretation of an open space using artistic methods of formal art. The fragment of the general plan was transformed into several Polish paintings, with the use and accentuation of the original compositional structure. The role of the contour, borders or filling in the compositional solution is emphasized. Configuration and relationship of spots and lines. An environmental dominant and a means of switching attention from an existing to a potential dominant are also presented.
Pic.2 Art-interpretation of the open space composition
The 3d picture shows the combination of the disadvantages of certain sketch searches are graph-analytical method and the art interpretation of highlighted. the original design information. Advantages and
Pic. 3 Art - methods of revealing the artistic ability of the composition of open space.
(parts of the environment of Duke's Garden, Odessa).
Conclusions: thus, art methods provide compositional analysis thanks to the translation of the design language into the language of art. In this case, the structuring factor is the artistic and compositional
organization of the perception of the environmental process.
A feature in emphasizing the connections between structural elements within the form. These structural
elements have a variety of characteristics (configuration, proportions, scale, rhythm, texture, etc.), in their overall integrity should provide full-fledged spatiality, which would connect imaginary and real, internal and external processes between structural elements (their masses, and external field).
"Plastic play" is built on the basis of the interaction of various motifs (large-small, monolithic-composite, open-closed, deaf-openwork, hard-soft, approach-removal, stretching-repulsion, concentration-dispersion, attack-slow, etc.).
LITERATURE
1. Aronov V. R. Design in the culture of the 20th century: theoretical analysis. concepts: autoref. Thesis. Doctor of Arts / Aronov V.R.-M., 1995.-38 p.
2. Barsukova N. I. Design of the environment in the project culture of postmodernism of the late 20th -early 21st centuries, thesis on the Academic Academic College 17.00.06, doctor of art, http://cheloveknauka.com/art-dizayn-v-zarubezhnom-proektirovanii-mebeli-xx - beginning of the -xxi-ct.
3. Mykhailov S. M. Interactivity as a defining feature of post-industrial society design, URL: http ://knu.znate.ru/docs/index-410452. html
4. Morozova M. L. Design as art // Zahorod Predmestya Petersburg. — 2008. — No. 5(17) -P 32-33.
5. Chernyshev O.V. Some features of design activities and personal training Artistic and constructive education: Tr. VNIITE ser.: TA — M., 1977.
Tuyrikova O.M.
Doctor of education, associate professor, of the Department of architectural environment design, Odessa State Academy of Civil Engineering and Architecture
Savchenko N. Student-Magister,
of the Department of architectural environment design, Odessa State Academy of Civil Engineering and Architecture
DIRECTIONS OF ARCHITECTURAL AND DESIGNED MASTERING OF DEVOLANIVSKYI
DESCENT. ODESA.
Тюржова О.М
кандидат педагог1чних наук, доцент кафедри Дизайну архiтектурного середовища, Одеська державна академiя будiвництва та архтектури
СавченкоН.
Студент магiстратури, кафедри Дизайну архтектурного середовища, Одеська державна академiя будiвництва та архтектури DOI: 10.31618/ESSA.2782-1994.2023.2.88.340
Summary: The article is devoted to the analysis of the directions of architectural and design development of Devolanivskyi Descent in Odesa (hereinafter referred to as DS). The existing environmental conditions and factors influencing design decisions are considered. The project proposals of students and specialists on the renovation of the DS environment were analyzed. On the basis of compositional constants, promising project areas and areas of project activity are identified. The author's design proposals for the functional and figurative development of fragments of the territory of the DS are presented. The compositional frameworks of local plot compositions are determined. The problem of the study is the directions of architectural and design mastery of the DS environment. Strategy and tactics of design solutions.
Анотащя. Стаття присвячена аналiзу напрямшв архггектурно- дизайнерського опанування Деволашвського узвозу м. Одеса (далi ДС).
Розглянуп юнуючи середовищш умови та фактори впливу на проектш ршення. Проаналiзовано проектш пропозици студенпв та фахiвцiв з реноваци середовища ДС. На пiдставi композицшних констант, вщокремлено перспективш проектш ареали та напрямки проектно! дiяльностi. Наведеш авторсьш проектш пропозици щодо функцюнального та образного опанування фрагменпв територи ДС. Проблема дослвдження - напрямки архггектурно- дизайнерського опанування середовища ДС. Стратепя i тактика проектних ршень.
Keywords: existing environmental conditions, compositional framework, compositional constants, factors influencing compositional decisions, local plot compositions.
The relevance of the work is to identify areas of innovation in the historically developed environment of the DS. Devolanivskyi Uzviz Street is a special zone of the historic center of Odesa. It is deep, elongated, has a complicated history and chaotic development. There is
no systematic strategy for modern development. There is no prospective contingent that makes sense to target. Locations and connections are organized randomly. The compositional idea of the street of seven bridges
